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“Theater lies. And admits it. In the midst of the crisis of media it is a very valuable quality”

Dados Bibliográficos

ID22137888
AutoresP Rudnev, E S Maksimova (0000-0002-2749-5803, Southern Federal University), Екатерина Сергеевна Максимова (Southern Federal University)
Ano2020
Volume5
Fascículo1
Páginas7-17
Data de publicação2020-03-01
Open AccessSim
TipoARTICLE
PeriódicoPractices & Interpretations A Journal of Philology Teaching and Cultural Studies (JOURNAL)
Identificadores do periódicoISSN: 2415-8852
EditoraSouthern Federal University (PUBLISHER • RU)
DOI10.18522/2415-8852-2020-1-7-17
OpenAlexW3162303444
IdiomaEN

Pavel Rudnev – theatre scholar, theatre critic, PhD (Art History), Associate professor at the studio school of the Moscow Art Academic Theatre (MHAT) and the State Institute of Theatre Arts (GITIS). Author of the books, “Theatrical Views of Vassily Rozanov” (2003), and “Drama of Memory. Essays on the history of Russian drama from Rozov to the present day” (2018). In this issue of P&I, Pavel Rudnev discusses the boundaries between theatre and performance, searches for the main theme of contemporary Russian drama, and talks about Kudymkar and Lesosibirsk, cities in which theatre is especially valued. Interview by Ekaterina Maximova

Art · Art history · Drama · Literature · Media studies · Political theatre · Sociology · Studio · The arts · Theatre director · Theatre studies · Visual arts · Computer Science · Eastern European Communism and Reforms · History · Security, Politics, and Digital Transformation · Sociopolitical Dynamics in Russia

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