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A Literary Study of Tọ́pẹ́ Àlàbí’s Lọ́gán Tí Ó Dé

Dados Bibliográficos

ID22158993
AutoresTaiwo Opeyemi Akinduti (Osun State University), Anu Oluwakemi Wale-Olaitan (African University College of Communications)
Ano2024
Volume9
Fascículo1and2
Páginas181-200
Data de publicação2024-12-09
Open AccessSim
TipoARTICLE
PeriódicoYoruba Studies Review (JOURNAL)
Identificadores do periódicoISSN: 2473-4713 • E-ISSN: 2578-692X
EditoraUniversity of Florida George A Smathers Libraries (PUBLISHER)
DOI10.32473/ysr.9.1and2.137833
OpenAlexW4405205668
IdiomaEN

Tọ́pẹ́ Àlàbí is a renowned Yorùbá artiste, whose gospel music is widely recognized within and outside of Nigeria. In one of her titles, Lọ́gán tí Ó Dé, she makes it explicit that barrenness goes beyond biological classification. In Àlàbí’s opinion, any void in human’s life means barrenness. The lyrics reveal that the significance of barrenness is associated, not only with childlessness, but also with individuals who are unable to keep pace with their equals in the world of achievement. By using Schleiermacher’s hermeneutics, this essay explored how Tọ́pẹ́ Àlàbí’s Lọ́gán tí Ó Dé deconstructs the import of barrenness, reveals people’s attitude towards the barren and indicates the effects of people's view of the barren. In addition to listening to, and transcribing Tọ́pẹ́ Àlàbí’s Lọ́gán tí Ó Dé, oral interviews were conducted with twelve selected individuals. The study concludes that metaphoric expressions in music could help project a people’s understanding of their socio-cultural environment

Active listening · Art · Gospel · Hermeneutics · Literature · Lyrics · Theology · Communication · Language, Metaphor, and Cognition · Philosophy · Psychology

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