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An Exploratory Study

Conch Shell Carving in Bishnupur, India

Dados Bibliográficos

ID22195144
AutoresSandipan Bhattacharjee (0000-0003-4917-5138, Sant Gadge Baba Amravati University), Sabyasachi Biswas (0009-0009-9752-9405, Sant Gadge Baba Amravati University), Bhaskar Saha (0000-0003-1253-8265, Central Institute of Technology Kokrajhar)
Ano2023
Volume4
Fascículo2SE
Data de publicação2023-09-26
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoShodhKosh: Journal of Visual and Performing Arts (JOURNAL)
Identificadores do periódicoISSN: 2582-7472 • E-ISSN: 2582-7472
EditoraGranthaalayah Publications and Printers (PUBLISHER • IN)
DOI10.29121/shodhkosh.v4.i2se.2023.491
OpenAlexW4387058291
IdiomaEN
Referências citadas10

The term "conch" has been often used throughout history to designate a variety of medium to large sea snails, particularly their shells. Bishnupur, a city and municipality in the Bankura district of West Bengal, India, has a rich heritage that includes the skill of carving these conches. Conch shell carving is renowned for its incredibly lovely and elaborate patterns contributing to some elegant visual art forms. In the Hindu faith, they play a crucial role and are seen as lucky in the mythology of the Hindus. Common products created from conches include ornaments, trumpets, beautiful home goods, sculptures, and more. This craft of carving conch shells is practised by traditional artists, many of them are members of the caste known as "Sankha Banik." Nowadays, the centre of these activities by these artists is a location named "Sankhari Bazaar" in the city of Bishnupur. Their expertise and art are passed down from years to generations, ensuring that this indigenous craft form never goes extinct. This paper makes an effort to comprehend the history of this craft form, the effects of geography and other state sovereignty conditions on it, the multiple techniques used to create objects from conch shells, its distinctiveness as a centuries-old art form, and finally, to investigate the current issues affecting this industry. The present scenario and user perspective has been tallied through a stakeholder survey conducted in Bishnupur, West Bengal, India. As a conclusion, this paper also seeks to identify potential paths and future directions for Bishnupur's conch shell sector to emerge as a prospective visual communicator

Archaeology · Art · Bazaar · Carving · Conch · Craft · Geography · Indigenous · Naxi · Sculpture · Visual arts · History · Maritime and Coastal Archaeology

  • Dynastic time

    Paulami Guha Biswas•Rethinking the Local in Indian…•2021

  • Bishnupur

    Open Access•Worrel Kumar Bain•Journal of the Anthropological…•2016

  • Rethinking the Local in Indian History

    Kaustubh Mani Sengupta, Tista Das•Rethinking the Local in Indian…•2021

  • Cultural flows and cosmopolitanism in Mughal India

    Open Access•Kumkum Chatterjee•The Indian Economic & Social…•2009

Velocidade de citaçãohistorical
Altamente citadoNão

Ferramentas

Abrir DOIOpen Access
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