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Resilience and Resistance

A Study of Partition Trauma in Sabiha Sumar’s Khamosh Pani

Dados Bibliográficos

ID22196495
AutoresGreeshma D, D Greeshma (Orthopaedic Research Group), Vijayaraghavan D, D Vijayaraghavan (Department of Biotechnology)
Ano2024
Volume5
Fascículo4
Páginas121-128
Data de publicação2024-04-30
Open AccessSim
TipoARTICLE
PeriódicoShodhKosh: Journal of Visual and Performing Arts (JOURNAL)
Identificadores do periódicoISSN: 2582-7472 • E-ISSN: 2582-7472
EditoraGranthaalayah Publications and Printers (PUBLISHER • IN)
DOI10.29121/shodhkosh.v5.i4.2024.1405
OpenAlexW4402284693
IdiomaEN
Referências citadas3

This paper aims to analyze the film Khamosh Pani by Sabiha Sumar, focusing on the character of Veero/Ayesha and her experiences before and after the Partition of India in 1947. The paper delves into how Veero/Ayesha navigates trauma, assimilation, and identity crisis in the aftermath of Partition, particularly in the context of changing political landscapes in Pakistan, such as during the Zia-ul-Haq regime. The paper also explores themes of resilience, patriarchy, and the enduring impact of historical events on individual lives, especially women's experiences. Through a close reading of the film and its characters, the paper seeks to shed light on the complexities of post-Partition society and the challenges faced by marginalised individuals, particularly women, in finding agency and dignity in the face of adversity

Biology · Combinatorics · Composite material · Materials Science · Mathematics · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Psychology · South Asian Studies and Conflicts · South Asian Studies and Diaspora · Ecology

  • Ramchand Pakistani , Khamosh Pani and the traumatic evocation of Partition

    Humaira Saeed•Social Semiotics•2009

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