The Victim Narrative of the 1965-1966 Massacre in Indonesia as A Biopicture

Dados Bibliográficos

ID22237154
AutoresAnastasia Jessica Adinda Susanti (0000-0003-1621-6378, University of Szeged, autor correspondente)
Ano2022
Volume4
Fascículo3
Páginas119-123
Data de publicação2022-07-13
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoJournal of Humanities and Social Sciences Studies (JOURNAL)
Identificadores do periódicoISSN: 2663-7197 • E-ISSN: 2663-7197
EditoraAl-Kindi Center for Research and Development (PUBLISHER)
DOI10.32996/jhsss.2022.4.3.8
OpenAlexW4285087709
IdiomaEN
Referências citadas8

This paper examines the victim narrative of the 1965-1966 massacre in Indonesia from the perspective of W.J.T. Mitchell’s Biopicture. Biopicture considers an image as if it is a living thing that has the capacity to multiply, transform, and even resurrect. During the New Order era, the victim narrative of the 1965-1966 massacre was silenced by the state. Under the Soeharto presidency, there was no possibility to deliver and discuss the victim narrative of the massacre. Even in the post-reformation era, the victim narrative of the 1965-1966 massacre is often banned by the state. The hypothesis of this research is the victim narrative of the 1965-1966 massacre is a biopicture that can emerge, be born, or resurrect in various media despite being under pressure from government censors

Art · Criminology · Literature · Media studies · Narrative · Narrative inquiry · Political science · Politics · Presidency · Sociology · Visual arts · Asian Studies and History · History · Law · Philosophy