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Resisting Enchantment, Questioning Aestheticism

Modern Chinese Literature and the Public Sphere

Dados Bibliográficos

ID2227477
AutoresSebastian Veg (autor correspondente)
Ano2020
Volume46
Fascículo3
Páginas536-554
Data de publicação2020-03-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoCritical Inquiry (JOURNAL)
Identificadores do periódicoISSN: 0093-1896 • E-ISSN: 1539-7858
EditoraUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/708077
OpenAlexW3011196606
IdiomaEN
Citações recebidas1
Referências citadas15

If indeed aestheticization and enchantment are perennial traits of state discourses and practices in China, it is perhaps unsurprising that a countertradition in modern literature should emphasize disenchantment. Cultural productions that originate from outside the sphere of the state have often questioned its authority. Where the state seeks to enchant, literature has sometimes sought to kindle doubt, to arouse debate. Although such debates have often been curtailed or suppressed, it is worth reexamining the connections between literary production and political debates in different historical contexts throughout twentieth-century China. Drawing on theories that stress the intentionality of literature and the speech act value of the literary text, the present essay attempts to characterize the communicational dynamics both within the text and in the context of its reception. In this perspective, it revisits some of the literary debates that took place in China in the May Fourth and Republican periods (represented by Lu Xun), the early postwar years and the ROC—PRC transition (Lao She), in certain works written during the Cultural Revolution (Jin Fan/Liu Qingfeng), as well as post-1979 literature on the mainland (Yan Lianke). It does so by selecting texts that seem to have been produced with the intention of challenging the aesthetics of enchantment, using literary devices to interrupt readers' enjoyment and thus open a space for public discussion of both aesthetics and politics

Aestheticism · Aesthetics · Art · China · Context (archaeology · Disenchantment · Literary criticism · Literature · Political science · Politics · Public sphere · Sociology · State (computer science · Value (mathematics · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law

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    Open Access•Xun Liu, Yuanyuan Wang et al.•Culture and Education•2024

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    Craig J Calhoun•Habermas and the public sphere•1992

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    He Xin, Geremie Barmé•The Australian Journal of Chinese…•1990

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    Michael Warner•Quarterly Journal of Speech•2002

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    Open Access•Haiyan Lee•Modern China•2001

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    Open Access•Joan Judge•Modern China•1994

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    Open Access•Theodore Huters•Modern China•1984

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    Hans Robert Jau, Hans Robert Jauß et al.•New Literary History•1970

  • Aesthetics, Morality, and the Modern Community

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  • Lu Xun in 1966

    Gloria Davies•Critical Inquiry•2020

Obras citantes distintas1
Citações por ano0,5
Intervalo de citações2024 - 2024 (1)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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