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The Reflection of Myths in Luk Thung Songs

A Case Study of Jenpob Jobkrabuanwan

Dados Bibliográficos

ID22360445
AutoresChayanan Chaisaart (Srinakharinwirot University), Tepika Rodsakan (0000-0003-0001-0279, Srinakharinwirot University), Surasak Jamnongsarn (0000-0002-1050-8639, Srinakharinwirot University)
Ano2025
Volume25
Fascículo1
Páginase266868
Data de publicação2025-01-20
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoAsian Journal of Arts and Culture (JOURNAL)
Identificadores do periódicoISSN: 2773-9953 • E-ISSN: 2773-9953
EditoraCollege of Graduate Studies, Walailak University (PUBLISHER)
DOI10.48048/ajac.2025.266868
OpenAlexW4412015770
IdiomaEN

This study aimed to investigate myths in Luk Thung songs by using qualitative research using a total of 7 songs, which composed by Jenpob Jobkrabuanwan and sang himself during 1995-1997. Data was collected through interviews with people who had worked with the composer and experts in Luk Thung songs, as well as from articles, books, and related theses. Semiotics and the concept of myths was used as tools to analyze the reflection of myths in songs. This research is a qualitative approach based on the analytical data in a descriptive format.The results of the research found that the reflections of myths in Luk Thung songs by Jenpob Jobkrabuanwan, consisted of 7 reflections: 1) Reflections on the myth of money, 2) Reflections on the myths of social class and Occupational status, 3) Reflections on the myth of the belief in karma 4) Reflections on the myth of the value of using English in Thai society 5) Reflections on the myth of patriotism; 6) Reflections on the myth of of political power; and 7) Reflections on the myth of patriarchy

Art · Literature · Mythology · Sociology · Computer Science · Global Maritime and Colonial Histories

Velocidade de citaçãohistorical
Altamente citadoNão
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