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How Creative Are the Creative Industries? A Case of the Music Industry

Dados Bibliográficos

ID23146026
AutoresPeter Tschmuck (0000-0002-2571-3520, autor correspondente)
Ano2003
Volume33
Fascículo2
Páginas127-141
Data de publicação2003-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe Journal of Arts Management Law and Society (JOURNAL)
Identificadores do periódicoISSN: 1063-2921 • E-ISSN: 1930-7799
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10632920309596571
OpenAlexW2050135060
IdiomaEN
Citações recebidas7
Referências citadas20

Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsPeter TschmuckPeter Tschmuck is an associate professor at the Institute of Culture Management and Culture Studies at the University of Music and Performing Arts in Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna, the University of Innsbruck, and the University of Klagenfurt. His research focuses on the structure and processes in the music industry, arts management, the economics of copyright, and cultural statistics.

Art · Arts administration · Arts in education · Creative industries · Cultural economics · Economics · Management · Music education · Music industry · Performing arts · Sociology · The arts · Visual arts · Art History and Market Analysis · Creativity in Education and Neuroscience · Cultural Industries and Urban Development

  • Copyright, Contracts and Music Production

    Peter Tschmuck•Information Communication & Society•2009

  • Problemy metodologiczne badania sektora kreatywnego

    Open Access•Krzysztof Stachowiak•Rozwój Regionalny i Polityka…•2015

  • Music Business and the Experience Economy

    Open Access•Peter Tschmuck, Philip L Pearce et al.•Music Business and the Experience…•2013

  • Cultural Institutions Studies

    Werner Hasitschka, Peter Goldsleger et al.•The Journal of Arts Management…•2005

  • The Intangibility of Music in the Internet Age

    Maria Ek Styvén, Maria Styvén•Popular Music & Society•2006

  • A contemporary cultural policy for contemporary music

    Open Access•Shane Homan•Media International Australia•2016

  • Policy Discourse Among the Chinese Public on Initiatives for Cultural and Creative Industries

    Open Access•Sang Do Park•SAGE Open•2022

  • The Social Psychology of Creativity

    Open Access•Teresa M Amabile•Social Psychology of Creativity•1983

  • The structure of scientific revolutions

    Dennis Holland, Thomas S Kuhn•La Structure des révolutions…•1976

  • An evolutionary theory of economic change

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  • Innovation in art, innovation in technology, and the future of the high arts

    Open Access•James Hellbrun•Journal of Cultural Economics•1993

  • Perspectives on Technology

    Open Access•Nathan Rosenberg•Perspectives on Technology•1976

  • Capitalism, Socialism and Democracy

    Gaël Fain, Joseph Alois Schumpeter et al.•Capitalism, socialism, and…•2010

  • The Winner-Take-All Society

    Alan Wolfe, Robert H Frank et al.•Contemporary Sociology A Journal…•1996

  • Five Constraints on the Production of Culture

    Open Access•R A Peterson•The Journal of Popular Culture•1982

  • Social psychology of creativity

    Teresa M Amabile•Journal of Personality and Social…•1982

  • Cycles in Symbol Production

    R A Peterson, David G Berger•American Sociological Review•1975

  • Six constraints on the production of literary works

    Open Access•R A Peterson•Poetics•1985

  • Why 1955? Explaining the advent of rock music

    Open Access•R A Peterson•Popular Music•1990

  • The Production of Culture

    Open Access•R A Peterson•American Behavioral Scientist•1976

  • The Sound of the City

    Open Access•William J Schafer, Charlie Gillett•American Quarterly•1971

  • Music in the Air

    Samuel S Brylawski, Philip K Eberly•Ethnomusicology•1984

Obras citantes distintas7
Citações por ano0,33
Intervalo de citações2005 - 2022 (18)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 6
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