When Malindy Sings
A Meditation on Black Women’s Vocality
Dados Bibliográficos
| ID | 23159751 |
|---|---|
| Autores | Farah Jasmine Griffin (autor correspondente) |
| Ano | 2004 |
| Páginas | 102-125 |
| Data de publicação | 2004-12-31 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | CHAPTER |
| Periódico | Uptown Conversation (SOURCE_BOOK) |
| Editora | Columbia University Press (PUBLISHER • US) |
| DOI | 10.7312/omea12350-005 |
| OpenAlex | W2521994926 |
| ISBN | 9780231508360 |
| Idioma | EN |
| Citações recebidas | 14 |
| Referências citadas | 5 |
1. Marian Anderson singing at the Lincoln Memorial in 1939. 2. Whitney Houston singing “The Star-Spangled Banner” at the Super Bowl in 1992 during the Gulf War. 3. Aretha Franklin singing “The Star Spangled Banner” at the 1992 Democratic National Convention. 4. Santita Jackson singing “The Star Spangled Banner” at inaugural events for William Jefferson Clinton, January 20, 1997. 5. The anonymous black woman who sang at the first public memorial for the victims of the Oklahoma bombing. 6. Jessye Norman singing at an event at New York University Law School’s Tishman Auditorium in support of Clinton before his impeachment, December 14, 1998. (Toni Morrison speaking at the same event.) 7. The anonymous black woman singing “Amazing Grace” immediately following the Littleton, Colorado shootings or the Texas church shootings. 8. Chaka Khan singing at the close of the Republican National Convention in Philadelphia, August 2000. 9. Related but distinct: Mahalia Jackson at the 1963 March on Washington. 10. Related but Distinct: Fannie Lou Hamer at the 1964 Democratic National Convention in Atlantic City.
Art · Black women · Meditation · Sociology · Theology · Gender Studies · Philosophy · Race, History, and American Society
Staging Aural Fugitivity through Nineteenth-Century Freak Show Archives
“Strange What Cosmopolites Music Makes of Us”
Matrices of ‘Love and Theft’
A Greater Compass of Voice
Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County
Gender, race and the ethical praxis of slide guitar
This voice which is not one
Nina Simone's Triple Play
Don't Let Me Be Misunderstood
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together
A queer black woman invented rock-and-roll”
All That You Can't Leave Behind
All That You Can't Leave Behind
Listening for the Interior in Hip-Hop and R&B Music
| Obras citantes distintas | 14 |
|---|---|
| Citações por ano | 0,74 |
| Intervalo de citações | 2007 - 2024 (18) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 6 |