The Messages of Tourist Art
An African Semiotic System in Comparative Perspective
Dados Bibliográficos
| ID | 23166313 |
|---|---|
| Autores | B Jules-Rosette (0000-0002-0649-7359, University of California San Diego, autor correspondente) |
| Ano | 1984 |
| Data de publicação | 1984-01-01 |
| Open Access | Sim |
| Tipo | BOOK |
| Periódico | Messages of Tourist Art (SOURCE_BOOK) |
| Editora | Springer US (PUBLISHER • US) |
| DOI | 10.1007/978-1-4757-1827-0 |
| OpenAlex | W4210915352 |
| Open Library | OL37968518M |
| ISBN | 9781475718270 |
| Idioma | EN |
| Citações recebidas | 53 |
Advertising · Archaeology · Art · Business · Commerce · Liberian dollar · Tourism · Cultural Industries and Urban Development · Finance · History · African Art · Art and society · Art, african · Art, economic aspects · Economic aspects · Economic aspects of African art · Semiotics · Sub-Saharan Africa · Tourism and art
Cleverest of the Clever
Defining Authenticity and Its Determinants
Living for the City
Visual Presence and Competition in Urban Africa
Photogenic Poverty
Myth, national identity, and the contemporary tourism site
The boomerang's erratic flight
Appropriate Bodies
Media spectacles
Representing colonizers
Images of Main Street
African tourist art as tradition and product of the postcolonial exotic
Globalization, Indigenization, and Tourism in Sub-Saharan Africa
Packaging the Naked Buddhas
Present Pasts of Colonial Modernity
De l’esthétique à la prothétique, et inversement
Les potiers de Guellala (Djerba)
Is it the “end of tourism as such” or a new beginning? Response to José López-González and Michalis Nikolakakis
Worlds Together, Worlds Apart
‘Keeping up the Culture’
The object, the mirror, and the cabinet of wonders
Complex Geometries
The tourist as patron of the arts
Hollywood Icons, Local Demons
Representation and Historical Consciousness in the Art of Modern Mozambique
History as pastiche, process, and postmodern encounter
Depicting cross‐cultural interaction
Geographical Representations Embedded within Souvenirs in Niagara
Bamako's Woodcarvers as Pariahs of Cultural Heritage
African Tourist Encounters
Art as process and product
Shaping in dull, dead earth their dreams of riches and beauty
Recoding the canon
Curatorial Networks and Museum Culture
African Studies Keywords
Craft and Creativity
Painting Local Meanings, Domesticating Money
Shona Sculpture's Struggle for Authenticity and Value
Zulu Trade Dolls From Natal
The Study of Material Culture
Artists and Aesthetics
Art-writing in the modern Maya art world of Chichén Itzá
People of the Chisel
Metamorphosis in the Culture Market of Niger
Changing Strategies in Marketing Kenya's Tourist Art
Shellwork on show
Space, line and story in the invention of an Andean aesthetic
Semiotic Anthropology
The Visible Evidence of Cultural Producers
Mis-placed Boomerangs
Economics and icons
Dancing the Crisis, Singing the Past
Frame That Rug
| Obras citantes distintas | 53 |
|---|---|
| Citações por ano | 1,39 |
| Intervalo de citações | 1988 - 2026 (39) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 52 |