Irony's Edge
Dados Bibliográficos
| ID | 23396014 |
|---|---|
| Autores | Linda Hutcheon (0000-0002-1523-9394, autor correspondente) |
| Ano | 2003 |
| Páginas | 258 |
| Data de publicação | 2003-09-02 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Irony's Edge (SOURCE_BOOK) |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203359259 |
| OpenAlex | W4210435815 |
| Open Library | OL51659986M |
| ISBN | 9780203359259 |
| Idioma | EN |
| Citações recebidas | 134 |
The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challengin theory of irony to date.
Art · Enhanced Data Rates for GSM Evolution · Irony · Literature · Artificial Intelligence · Computer Science · Language, Metaphor, and Cognition
Screw you, warrior wolves!
Go white girl!’
Understanding Power and Performing Resistance
Between engagement and ironic ambiguity
A Curator in the House of Memory
Remember the Alamo
Regieren und Ironie
Embodied counter discourse
Auto)Thanatography or (Auto)Thanatology
Beyond the Clash of Civilizations
Belligerent broadcasting, male anti-authoritarianism and anti-environmentalism
The ‘final bell!’ performing everyday memories of communism in the Czech lands
Monstrous Words, Monstrous Bodies
Punk identities in post-apartheid South Africa
Double vision
PewDiePie, racism and Youtube’s neoliberalist interpretation of freedom of speech
“Fake news you can trust”
‘Stylistics will never become boring’
Middle Aged Men in Lycra and the Performative Irony of Watching Tour de France
Satire, social media and revolutionary cultural production in the Bahrain uprising
In-groups, out-groups, and comic synchrony in Bo Burnham’s Make Happy (2016)
The empirical effects of viewing right-leaning political humour
Genre and Image in Francophone Chinese Works
The transgressive rhetoric of standup comedy in China
Taking humor seriously in contemporary food research
The Ethical Cringe, or the Dated Film as Revelatory Genre
Blake's ‘London’
Challenging and destabilizing official discourses
The Real Housewives , gendered affluence, and the rise of the docusoap
Boys will be boys
Bad is the new good
Humanitarian humor, digilantism, and the dilemmas of representing volunteer tourism on social media
Ironic humor on social media as participatory boundary work
From Autobiographical Act to Autobiography
News satire engagement as a transgressive space for genre work
Long live the friendship between the Soviet Union and Finland!’ Irony, nostalgia, and melodrama in Finnish historical television drama and documentary series
Political comedy engagement
Heino, Rammstein and the double-ironic melancholia of Germanness
Pansy asses and terrorists
Between Frivolity and Art
Bjorn Again? Rethinking 70s Revivalism through the Reappropriation of 70s Clothing
Women who kill men
Curtain Time 20
Adaptation
Triadic discursive strategy
Laughing with / at the national self
The critical problem of cynical irony meaning what you say and ideologies of class and gender
Jamming the Political
Cheerful dissensus
Cheerful dissensus
Cheerful dissensus
Cultural studies or cultural political economy? Cues from the long revolution
From the 'Other' Island to the One with 'No West Side
A masculinist northern wilderness and the emancipatory potential of literary irony
Audio-describing visual filmic allusions
Irony made manifest
Archival Mocking As Feminist Praxis
Crisis events and the inter-scalar politics of humor
Just for fun? Language choice in German popular music
The use of humour in diplomatic tweets
SRSLY?? A typology of online ironic markers
Reading Beyond Race in Margaret Laurence’s “The Loons” from A Bird in the House
Navigating the “International Dots and Dashes”
“Intellectually Promiscuous”
Dialogue With History
Aging, irony, and wisdom
Dark Humor, Irony, and the Collaborative Narrativizations of Regional Belonging
Moral ambiguity and the collapse of ethical certainty in nazar eshonqul’s maymun yetaklagan odam and other stories
Centrifugal Force
Governance and Meta-governance in the Face of Complexity
The Cambridge History of Canadian Literature
A cultural sociology of The Daily Show and The Colbert Report
Delft Blue as Parody
The Cache Sexe and the Tablier
The Melodramatic Mode in Poetic Activism
Masculinities, Performativity, and Subversion
Familiarity with Proteus”
Laughing Matters in Courts
Re-imagining dementia in the fourth age
Tracing ambivalent norms of sexuality
Ambivalence and the Crisis of the Mimic Man
Humour and national identity in Spain
‘I’m just going to be silly with this person’
The Problems of Irony
Fictional Displacements
‘Twice the va va voom?’
Locating the Punk Preppy (A Speculative Theory)
When Life Hangs by a Thread
Avanzar sin Tarzán”
The Politics of Naming
Wish You Weren't Here
Re-enacting Tropes of Black Masculinity in Yinka Shonibare’s Diary of a Victorian Dandy
The role of social status in sarcasm interpretation
Pacific camp
The media and the irony of politically serious situations
Throwing our voices
The “Poe-etics” of Decomposition
Bodies in agitation
Re-presenting America
Dual discursive articulation
| Obras citantes distintas | 134 |
|---|---|
| Citações por ano | 4,79 |
| Intervalo de citações | 1998 - 2026 (29) |
| Velocidade de citação | current |
| Altamente citado | Sim |
| Tipos de citação | Neutras: 131 |