Shadow Economies of Cinema
Mapping Informal Film Distribution
Dados Bibliográficos
| ID | 23398662 |
|---|---|
| Autores | Ramon Lobato (0000-0002-1689-7233, autor correspondente) |
| Ano | 2012 |
| Data de publicação | 2012-01-01 |
| Open Access | Sim |
| Tipo | BOOK |
| Periódico | Shadow Economies of Cinema (SOURCE_BOOK) |
| Editora | British Film Institute (PUBLISHER • GB) |
| DOI | 10.1007/978-1-84457-583-1 |
| OpenAlex | W2561709720 |
| Open Library | OL34728546M |
| ISBN | 9781844575831 |
| Idioma | EN |
| Citações recebidas | 71 |
How do people access movies today? What are the most popular and powerful channels for media distribution on a global scale? How are film industries changing in the face of media convergence and digitisation? To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair, and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites – from Los Angeles to Lagos, Melbourne to Mexico City – this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce. Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications.
Art · Art history · Economics · Movie theater · Psychoanalysis · Shadow (psychology) · Art History and Market Analysis · Cultural Industries and Urban Development · Psychology
Intellectual Property, Piracy, and Counterfeiting
Nollywood
A perspective from Nollywood
Piratages et flux audiovisuels transnationaux en Asie de l’Est
The Good Pirates
Porous circuits
In search of a Mediterranean creativity. Cultural and creative industries in Italy, Spain and Turkey
Transnational cult and/as neoliberalism
The Politics of Video on Demand Platforms in Iran
The Circulation of Arab Films In Türkiye
Can web 3.0 shape cinema 3.0? Towards community engaged independent film development and distribution
Soho’s ‘other’ film industry
Game Design for a Fiverr
Telewizja w sieci nowych mediów
Les arts de faire bureaucratique(s) de Nollywood. Guildes, associations, (in)formalisations et légitimation d’un cinéma nigérian
Adapting to context
Afroterradelogy
Direct-to-Video (On Demand)
Cinematic Sidestreams
Shadow sites, peripheral spaces, embodied places
Bootlegs over Broadway
The limits of low-cost cinema in Spain
Turn on the red light
The action heroes of Bengali cinema
Anti-Market Research
Piracy, Geoblocking, and Australian Access to Niche Independent Cinema
Clouded Visions
Maintaining Transmission
Development Distribution? EU Aid for Formal Audiovisual Distribution and the Case of Africa’s First Video-on-Demand Platform
Sound matters
Barbie and the straight-to-DVD movie
Emerging film cultures
The DVD region code system
The cyberlocker gold rush
They are now pocket videos, not home videos’
Producing Nollywood portal films
Ambivalence of informality
The cloud, online piracy and global copyright governance
Projecting Films to Spirits
Account-sharing programme
NZ film on demand
Regulating the global infrastructure of film labor exploitation
Social inclusivity, cultural diversity and online film consumption
Popular Protest Music and the 2011 Egyptian Revolution
Gentrification in media spaces
Big screen to small screen
New Indies in old skins
Analysing the formal and informal documentary film distribution markets in Colombia
Video Documentary and Rural Public Culture in Ethnic China
Pop Cosmopolitics and K-pop Video Culture
Exporting Nollywood
“Everyone’s Property”
Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding in the Digital Age
Culture of Copying and Copying of Culture
International Arthouse Film Sales in the Face of the Rise of Video on Demand Platforms and Festivals
La vente internationale de films d’auteur face à l’essor des plateformes de vidéo à la demande et des festivals
La retenue et l’excès
Telecommunication Networks
‘ The Invisible Man is in your home’
Les séries québécoises
Just another platform for television? The emerging web dramas as digital culture in South Korea
Scales of cultural influence
The gray zone
Colonial shadows
Ici et ailleurs
Video-on-demand affordability
El consumidor colombiano habla de cine
The world hates the truth
Ce n'est pas l'art pour l'art
Introduction
Locating Sembène's mégotage in Zimbabwe's kiya kiya video-film production
| Obras citantes distintas | 71 |
|---|---|
| Citações por ano | 5,07 |
| Intervalo de citações | 2012 - 2026 (15) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 68 |