Angelo Soliman

Desecrated bodies and the spectre of Enlightenment racism

Dados Bibliográficos

ID2357654
AutoresIris Wigger (0000-0002-9443-8438), Spencer Hadley
Ano2020
Volume62
Fascículo2
Páginas80-107
Data de publicação2020-10-01
Open AccessSim
TipoARTICLE
PeriódicoRace & Class (JOURNAL)
Identificadores do periódicoISSN: 0306-3968 • E-ISSN: 1741-3125
EditoraSAGE Publishing (PUBLISHER • US)
DOI10.1177/0306396820942470
OpenAlexW3047196065
IdiomaEN
Citações recebidas6
Referências citadas3

The case of Angelo Soliman − a black man raised in the royal courts of eighteenth-century Vienna who appeared during his lifetime to have attained significant social status and acceptance into bourgeois society, only to have his body stuffed and exhibited after death in a natural history museum − is discussed in the context of Enlightenment race theories at the core of a then-new 'scientific racism'. This article explores his representation in its wider discursive and historical context, and critically reflects on predominant narratives and typologies associated with him. The piece then reflects on contemporary attempts to retell his story - via museum exhibitions, literature and film - some of which started to critically reflect on age-old European stereotypes of blackness used in earlier representations of Soliman. The piece promotes a discussion of Soliman's life from a more critical, historically reflexive, de-colonialising and anti-racist position that questions white normativity and the scientific racism of the European Enlightenment and colonialism, the foundations of modern racism

Aesthetics · Art · Art history · Bourgeoisie · Colonialism · Context (archaeology · Enlightenment · Epistemology · Exhibition · Literature · Narrative · Political science · Politics · Racism · Sociology · Australian History and Society · Gender Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Law · Philosophy · Race, History, and American Society

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