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“The Nature of Harmony”

A Translation and Commentary

Dados Bibliográficos

ID23596388
AutoresBenjamin Steege (Columbia University, autor correspondente)
Ano2012
Páginas55-91
Data de publicação2012-09-18
Peer ReviewedSim
Open AccessNão
TipoCHAPTER
PeriódicoThe Oxford handbook of neo-Riemannian music theories (SOURCE_BOOK)
EditoraOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780195321333.013.0002
OpenAlexW2729716092
ISBN9780195321333
IdiomaEN
Referências citadas21

This article provides and introduction and translation of Riemann's “The Nature of Harmony”. The translation in this article provides an easy access to an important Riemann's own theoretical evolution, which was written at the moment when a budding psychological perspective was beginning to supersede Riemann's earlier acoustical and physiological perspective. Just as Riemann attempts to place his theoretical program within a historical trajectory, the article locates his work within the wider and broader historical and intellectual discourse of nineteenth-century physics, physiology, and psychology, highlighting the implied and overt polemics with Helmholtz and others that course through its pages.

Art · Epistemology · Geometry · Harmony (color) · Helmholtz free energy · Perspective (graphical) · Physics · Pure mathematics · Riemann hypothesis · Sociology · Visual arts · Historical and Literary Studies · History and Theory of Mathematics · Mathematics · Philosophy · Philosophy, Science, and History

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    Open Access•Michael Spitzer•Musicae Scientiae•2003

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    Open Access•Will Earheart•Music Supervisors Journal•1931

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    Open Access•R Steven Turner•University in Society, Volume II•2019

  • Neue Beiträge zu einer ‘Lehre von den Tonvorstellungen’

    Open Access•Hugo Riemann•European Journal of Musicology•1999

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    Henry Raynor, Victor Zuckerkandl et al.•The Musical Times•1957

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    R Steven Turner•Internationales Archiv für…•1980

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    Open Access•Lawrence M Zbikowski•Music Analysis•1999

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Velocidade de citaçãohistorical
Altamente citadoNão
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