Introduction
Institutional dissent
Dados Bibliográficos
| ID | 23728488 |
|---|---|
| Autores | Elton Barker (0000-0001-9517-1176, autor correspondente), Elton T E Barker |
| Ano | 2009 |
| Páginas | 267-280 |
| Data de publicação | 2009-01-22 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | CHAPTER |
| Periódico | Entering the agon (SOURCE_BOOK) |
| Editora | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/acprof:oso/9780199542710.003.0008 |
| OpenAlex | W2482653129 |
| ISBN | 9780199542710 |
| Idioma | EN |
| Referências citadas | 159 |
This section considers debate in its most fully realized institutional form, that of tragedy, which by its very form represents debate, not only in the specific feature of the agon, but in the many conflicts between characters on stage. It is particularly concerned to engage with the recent controversies regarding whether tragedy is political or not, and the extent to which tragedy relates specifically to Athenian democracy or more broadly to any polis.Turning attention away from the dominant question of what is political, this section sets out how tragedy is political, first in its onus on giving a voice to marginalized figures such as women, slaves and groups, which marks tragedy's most radical departure from the world of Homeric epic, second in its emphasis on speaking back. Thus the key democratic concept of παρρηία, freedom or frankness of speech, is enacted, explored and tested in tragedy's retelling of myth.
Art · Democracy · Dissent · EPIC · Literature · Mythology · Political dissent · Political science · Politics · Sociology · Tragedy (event) · Byzantine Studies and History · Classical Antiquity Studies · Law · Organic Chemistry Synthesis Methods
Hesiod's Cosmos
The Hesiodic Catalogue of Women
The Classical Plot and the Invention of Western Narrative
A Companion to Ancient Epic
Authorial Voice and Narrative Management in Herodotus
Herodotus and Oral History Reconsidered
Oral Tradition and its Implications
Herodotus and Oral History
The Strong Principle of Equality and the Archaic Origins of Greek Democracy
Rome and its traditions
The speeches in Thucydides and the Mytilene debate
Herodotus and the cities of mainland Greece
The syntax of historiē
Narrating ambiguity
Introduction
Herodotus and Greek religion
From repertoire to canon
Stories and storytelling in the Histories
Herodotus and his prose predecessors
The socio-political dimension of ancient tragedy
Herodotus, political history and political thought
Form and performance
Sleeping safe in our beds
Homer and the Early Epic Tradition
Homer and Herodotus
The theatre audience, the Demos, and the Suppliants of Aeschylus
The Origins of Democratic Thinking
Dialogism
Reading Greek Tragedy
Literacy and Orality in Ancient Greece
Oral Tradition and Written Record in Classical Athens
Reading Democracy
Genres in Dialogue
Writing for Reading
Selecting core-hole localization or delocalization in CS2 by photofragmentation dynamics
Listening to the Cicadas
Philosophy, Science, Politics
The Agonistic Ethic and the Spirit of Inquiry
Socrates
The philosophy of the Odyssey
Homeric Words and Speakers
The Political Aspect of Aeschylus's Eumenides
Aristocracy and Freedom of Speech in the Greco-Roman World
Thebes
Herodotus as a Critic
Drama, Political Rhetoric, and the Discourse of Athenian Democracy
Genre, Convention, and Innovation in Greco-Roman Historiography
Herodotus and Tragedy
Epic Heritage and Mythical Patterns in Herodotus
Wrapping Homer Up
Written Texts and the Rise of Literate Culture in Ancient Greece
Unthinking the Greek Polis
Law, Violence, and Community in Classical Athens
Ransom, Revenge, and Heroic Identity in the Iliad
Thucydides and Internal War
Language, Sexuality, Narrative
Tragedy in Athens
The Cambridge Companion to Herodotus
Solon and Early Greek Poetry
Politics in the Ancient World
Sophocles
A Companion to Greek Tragedy
The Cambridge Companion to Greek and Roman Theatre
The Iliad
The Cambridge Companion to Virgil
The Epic Cycle and the uniqueness of Homer
Law, Sexuality, and Society
The Cambridge Companion to Greek Tragedy
Democracy and Participation in Athens
The Iliad
The Iliad
Deception and Democracy in Classical Athens
The Great Dionysia and civic ideology
The Ordeals of Homeric Song
Composition by Theme and the Mētis of the Odyssey
Flyting and fighting
Reading the Rise of Pisistratus
Anathema kai Ktema
Lawcourt Dramas
Philodemus on the Good King According to Homer
Narrate and Describe
Criteria in the Greek Lyric Contests
Free Spaces
The social function of Attic tragedy
The Language of Achilles
Basic Greek Values in Euripides' Hecuba and Hercules Furens
Themistocles' speech before Salamis
The Customary Meanings of Words were Changed’ – Or were they? A Note on Thucydides 3.82.4
Thucydides’ Nicias and Homer's Agamemnon
The Uses of Laughter in Greek Culture
Homer and Thucydides
Thucydides, Herodotos, and the Causes of War
And It Came to Pass that Pharaoh Dreamed
Thucydides on the Causes of the War
Homeric Allusions at the Close of Thucydides' Sicilian Narrative
Sophocles' Ajax and the Heroic Values of the Iliad
Dreams and Their Interpretation in Ancient Greece
Herodotus and Images of Tyranny
The king and eye
Religion and Politics in Aeschylus' Orestela
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |