Collaborating in a competitive world
Musicians' Working Lives and Understandings of Entrepreneurship
Dados Bibliográficos
| ID | 2373565 |
|---|---|
| Autores | Susan Coulson (0000-0002-3586-2562, Newcastle University, autor correspondente) |
| Ano | 2012 |
| Volume | 26 |
| Fascículo | 2 |
| Páginas | 246-261 |
| Data de publicação | 2012-04-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Work Employment and Society (JOURNAL) |
| Identificadores do periódico | ISSN: 0950-0170 • E-ISSN: 1469-8722 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0950017011432919 |
| OpenAlex | W2133994609 |
| Idioma | EN |
| Citações recebidas | 81 |
| Referências citadas | 42 |
Recent interest in 'creative' work practices has been brought about by organizational restructuring and the emergence of the creative industries as an economic power. Drawing on research with musicians in the North East of England, this article explores musicians' understandings of their working lives within the new entrepreneurial agenda. Musicians are shown to be enterprising in pursuing a musical calling in a difficult market and of particular interest is the extent to which they see themselves as entrepreneurs, whether they equate being self-employed with being entrepreneurial, and what relevance contemporary notions of individual enterprise have for those whose working lives are embedded in the essentially co-operative music world. Networking is regarded as an essential entrepreneurial skill and the concept of 'active networking' is introduced to help investigate what can be learnt about musicians' understanding of entrepreneurship through applying this model
Creative industries · Creativity · Entrepreneurship · Musical · Political science · Power (physics · Public relations · Relevance (law · Restructuring · Sociology · Visual arts · Work (physics · Cultural Industries and Urban Development · Diverse Music Education Insights · Engineering · Entrepreneurship Studies and Influences · Law
Redes do Empreendedorismo
Innovations in the Creative Industry Entities
Reducing creative labour precarity
Shocks among managers of indigenous art centres in remote Australia
Authenticity and craft entrepreneurship
Cultural entrepreneurship
Creative Economy
Social Capital and Networks in Film and TV
Painting the full picture
Managing exploration and exploitation paradoxes in creative organisations
Cultural Industries
The creative industries
Música, Mujeres y Disidencias Limitaciones estructurales y principales obstáculos en la búsqueda de la música como profesión en Uruguay
Propuesta de un Marco Teórico para Abordar el Emprendimiento en la Formación Musical Superior
Balancing Identities
Melomaniacs
Navigating unethical pro-organizational behavior
Artistic-professional strategies in the music sector. The case of the jazz scene in Barcelona
The show must go on
When theory and practice meet
The power of lore
Street performers and donations in an online environment in the wake of Covid-19
Uncertain festival futures
Investigating women entrepreneurs in creative industries
Paradigmatic considerations for creative practice in Creative Industries research
Young musicians’ career identities
The working life of musicians
Understanding video game developers as an occupational community
DIY or die? A typology of DIY careers in the Portuguese independent music scenes
The DIY careers of young classical musicians in neoliberal times
Autonomy and resilience in cultural work
Efectos subjetivos de las políticas de emprendimiento entre la juventud española
The economic psychology of creating and venturing
Weaving together social capital to empower women artisan entrepreneurs
The practices of artist‐entrepreneurs located outside Canada's creative hubs viewed through the lens of the pragmatic sociology of critique
Revisiting Hope and Work in Creative Labor
The politics of temporal sovereignty and the subaltern MA
Taking care of business
Mermaids as market creators
Psychic disjunctures in Denmark
Stuck inside
Only as good as your last gig?’
The changing shape of the Indian recorded music industry in the age of platformisation
The impacts of digital initiatives on musicians during Covid-19
Turning post-materialism on its head
Life in the Travelling Circus’
Managed Hearts
Between Cultural Policies, Industry Structures, and the Household
It's all about games
In search of meaningful work on digital freelancing platforms
Mental mobility’ in the digital age
No funny business
The labour market for jazz musicians in Paris and London
Creative work and affect
Northern comfort
Running a studio's a silly business’
Kosmopolityczne więzi koleżeńskie” i doświadczenie transnarodowości w świecie muzyki klasycznej. Przypadek artystów japońskich
Entrepreneurship at the edge? The characteristics and role of creative entrepreneurs in peripheral regions
To be heard or not to be heard
Entrepreneur of yourself
Reluctant entrepreneurs
The composition of precarity
A taxonomy of artists' postures to grasp the plurality of cultural production practices
Musicians, their relationships, and their wellbeing
Toward a sociological explanation of anxiety
What Do Musicians Think of Digital Platforms
Creativity, Precarity and Illusio
Multi-layered labor
Work and Intimacy
Friends as enemies
Bearing Psychic Weight and Accountability
How Do Young Workers Perceive Job Insecurity? Legitimising Frames for Precarious Work in England and Germany
Who Did You Meet at the Venice Biennale? Education-to-Work Transition Enhancers for Aspiring Arts Professionals in Australia
Masters of None? How Cultural Workers Use Reframing to Achieve Legitimacy in Portfolio Careers
Reconceptualising Solidarity in the Social Factory
Harmonic Dissonance
Moral economy, intermediaries and intensified competition in the labour market for function musicians
Identity-in-the-work and musicians' struggles
Making sense of self-employment in late career
Creative labour and collective interaction
The labor of reputation building
Between Enterprise and Ethics
The Symbolic Construction of Community
Getting a Job
The Rise of the Creative Class
Creative Industries
Bringing Creativity to Market
Art, Gentrification and Regeneration – From Artist as Pioneer to Public Arts
Working in film – Employment in a project based industry
Careers in Project Networks
The Cultural Industries
The Turn to Biographical Methods in Social Science
The Symbolic Construction of Community
Social Networks and Status Attainment
The disappearing arts
Pina Bausch, creative industries and the materiality of artistic labour
Looking for work in creative industries policy
Culture‐led Urban Regeneration and the Revitalisation of Identities in Newcastle, Gateshead and the North East of England
From conception to consumption
Cultural production and the corporation
Employability and Enterprise
Introduction
Our Tyne
Living with enterprise in an enterprise economy
Biographical Research in Eastern Europe
Include Us Out-Economic Development and Social Policy in the Creative Industries
From cultural to creative industries
How to identify artists? Defining the population for 'status-of-the-artist' studies
Finding the beat
No measure for culture? Value in the new economy
Art Work or Money
Transgressive Desires
You're only as Good as Your Last Job
Portfolio Careers' and the Search for Flexibility in Later Life
In the Social Factory
Toward a Network Sociality
Artistic Labor Markets and Careers
| Obras citantes distintas | 81 |
|---|---|
| Citações por ano | 5,79 |
| Intervalo de citações | 2012 - 2026 (15) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 80 |