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Interstitial Ruptures

A Décollage

Dados Bibliográficos

ID2387263
AutoresMelissa Freeman (0000-0002-5713-8110, University of Georgia, Athens, USA)
Ano2025
Volume32
Fascículo2
Páginas122-132
Data de publicação2025-02-24
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoQualitative Inquiry (JOURNAL)
Identificadores do periódicoISSN: 1077-8004 • E-ISSN: 1552-7565
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/10778004251319459
OpenAlexW4407875278
IdiomaEN
Referências citadas26

In French, décollage refers to acts of ungluing, unpeeling, or dissolving an image. As an artform, images are torn off, or left to disintegrate, revealing the arbitrariness of the materials that have built society, while also bearing witness to time, impermanence, decay, and waste. In another sense of the word, décollage means to take off, to ascend. Working across both senses, this article considers how revolutionary artforms, such as décollage, can assist qualitative researchers who use artful inquiry "to stay with the trouble of damaged worlds", rather than eschew this responsibility. Drawing from the strategies used by French décollagists of the mid-20th century and engaging in her own explorations with décollage, the author examines the provocations an embodied double(d) movement of rescue and rupture offers inquiry practices attending to the always-already materializing in the interstices of modernity's ruins

Aesthetics · Art · Autoethnography · Epistemology · Psychoanalysis · Sociology · Gender Studies · Philosophy · Psychology · Reconstructive Surgery and Microvascular Techniques · Soft tissue tumor case studies · Trauma Management and Diagnosis

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Velocidade de citaçãohistorical
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