Interstitial Ruptures
A Décollage
Dados Bibliográficos
| ID | 2387263 |
|---|---|
| Autores | Melissa Freeman (0000-0002-5713-8110, University of Georgia, Athens, USA) |
| Ano | 2025 |
| Volume | 32 |
| Fascículo | 2 |
| Páginas | 122-132 |
| Data de publicação | 2025-02-24 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Qualitative Inquiry (JOURNAL) |
| Identificadores do periódico | ISSN: 1077-8004 • E-ISSN: 1552-7565 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/10778004251319459 |
| OpenAlex | W4407875278 |
| Idioma | EN |
| Referências citadas | 26 |
In French, décollage refers to acts of ungluing, unpeeling, or dissolving an image. As an artform, images are torn off, or left to disintegrate, revealing the arbitrariness of the materials that have built society, while also bearing witness to time, impermanence, decay, and waste. In another sense of the word, décollage means to take off, to ascend. Working across both senses, this article considers how revolutionary artforms, such as décollage, can assist qualitative researchers who use artful inquiry "to stay with the trouble of damaged worlds", rather than eschew this responsibility. Drawing from the strategies used by French décollagists of the mid-20th century and engaging in her own explorations with décollage, the author examines the provocations an embodied double(d) movement of rescue and rupture offers inquiry practices attending to the always-already materializing in the interstices of modernity's ruins
Aesthetics · Art · Autoethnography · Epistemology · Psychoanalysis · Sociology · Gender Studies · Philosophy · Psychology · Reconstructive Surgery and Microvascular Techniques · Soft tissue tumor case studies · Trauma Management and Diagnosis
Staying with the Trouble
Rubble
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
The Artworld
Getting Lost
On Interruption
The Order of Things
The Originality of the Avant-Garde and Other Modernist Myths
Collage as Form and Idea in the Art Criticism of Tristan Tzara
Structuralism
Raymond Hains's "France in Shreds" and the Politics of Décollage
On Being Significant During War
What Has Happened Here
Art and Public Space
Feminist Theory
The Critic as Host
Ruins and Rhythms of Development and Life After Progress
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |