Repurposing the Ruin to Remember
Multimodal Rhetoric and Cultural Memory in the Post-Soviet Memorial Museum
Dados Bibliográficos
| ID | 2409147 |
|---|---|
| Autores | Marcia Clare Allison (0000-0002-0039-5511) |
| Ano | 2022 |
| Volume | 22 |
| Fascículo | 6 |
| Páginas | 576-592 |
| Data de publicação | 2022-12-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Culture Studies ↔ Critical Methodologies (JOURNAL) |
| Identificadores do periódico | ISSN: 1532-7086 • E-ISSN: 1552-356X |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/15327086221093552 |
| OpenAlex | W4283522631 |
| Idioma | EN |
| Referências citadas | 76 |
The memory turn in the humanities has been crucial for understanding the rhetorical work memorials and museums perform for the state. However, the postmodern development of the hybrid memorial museum remains underexamined as a unique rhetorical artifact. In this article, I combine postmodern museology with material rhetoric and multimodal argumentation to critique the particular trend of repurposing historical buildings from the commemorated moment in question into the physical memorial museum itself. Building from previous literature exploring juxtaposition as argument, I contend that repurposing ruins into memorial museums uses authenticity to create a kisceral rhetorical juxtaposition between the ruin's former and current life as an argumentative strategy. Such work thus makes the repurposed memorial museum both a container and rhetorical object of memory. To exemplify this, I perform a rhetorical critique in situ of the Memorial Museum of the German Division of Marienborn ( Gedenkstätte Deutsche Teilung Marienborn [GDTM]): a former East German border crossing. I show how GDTM leverages its architectural authenticity through this Janus-faced juxtaposition to curate cultural memory discourses regarding German unification. In conclusion, I posit how further post-Soviet infrastructures and other repurposed memorial museums offer a critical rhetoric that in our political climes is never more needed
Art · Art history · Linguistics · Repurposing · Rhetoric · Cultural Heritage Management and Preservation · Engineering · Memory, Trauma, and Commemoration · Rhetoric and Communication Studies · History · Philosophy
Museums and Memory
The Moral Demands of Memory
Memory in Culture
Twenty Years After Communism
Re-Imagining the Museum
Confronting the Challenges of Participatory Culture
The Darker Side of Travel
Exhibiting Atrocity
Interpretation of the Unimaginable
Theatricality, Dark Tourism and Ethical Spectatorship
Museums and the Shaping of Knowledge
On Collective Memory
“What kind of war?”
Photography and memory in Holocaust museums
Surviving Images
Communism in retrospect
Memory things and their temporality
From Memory to Action
Spaces of Remembering and Forgetting
What’s so ‘Dark’ about ‘Dark Tourism’
Memory, post-socialism and the media
Progress in dark tourism and thanatourism research
Finding aids to the past
Educational dark tourism at an in populo site
Authenticity in tourism theory and experience. Practically indispensable and theoretically mischievous
Auschwitz
It Ain't Necessarily So
Slovak and Croatian invocation of Europe
Multi-Modal Argumentation
Re-Investing Authenticity
Stories Without Borders
Memory, history and the claims of the past
Understanding media
JFK and dark tourism
Authenticity as a concept in tourism research
The search for authenticity in the pilgrim experience
Consuming dark tourism
Authentication
Authenticity in tourism
Rethinking authenticity in tourism experience
Performing heritage
Museums and the 'new museology
The Postmodern Condition
Between Memory and History
Collective Memory and Cultural Identity
Mood of the Material
Memory Unbound
Collective Memory in a Global Age
Staged Authenticity
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |