Reality and Terror, the First-Person Shooter in Current Day Settings

Dados Bibliográficos

ID2409501
AutoresMichael Hitchens (0000-0001-6320-9184, Macquarie University, autor correspondente), Bronwin Patrickson (0000-0003-3623-7942, Macquarie University), Sherman Young (Macquarie University)
Ano2014
Volume9
Fascículo1
Páginas3-29
Data de publicação2014-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoGames and Culture (JOURNAL)
Identificadores do periódicoISSN: 1555-4120 • E-ISSN: 1555-4139
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/1555412013496459
OpenAlexW2329015209
IdiomaEN
Citações recebidas3
Referências citadas24

The first-person shooter (FPS), with its subjective view point and relentless action, gives its players an intense, often violent, virtual experience. There has been considerable debate about the effects of this mediated experience. Of particular concern is whether these games stage a propaganda campaign for the interests of governments and the military-industrial complex. Some fear that these games are leading us toward a perpetual state of war. However, such discussions have usually focussed on a very narrow selection from the FPS genre. This article examines a large sample, over 160 individual titles, of FPSs with a contemporary setting. The enemies presented by these games are analyzed and found to be far wider than a narrow examination of games based on topical conflicts would suggest, being instead inspired by a range of political, cultural, and literary sources. Any analysis of FPS games needs to take this diversity into account

Action (physics · Aesthetics · Art · Diversity (politics · Media studies · Political science · Politics · Sociology · State (computer science · Computer Science · Digital Games and Media · Gothic Literature and Media Analysis · Law · Psychology · Social Psychology · Violence, Religion, and Philosophy