Scripts, grooves, and writing machines
Representing technology in the Edison era
Dados Bibliográficos
| ID | 24200528 |
|---|---|
| Autores | Lisa Gitelman |
| Ano | 1999 |
| Páginas | 282 |
| Data de publicação | 1999-01-01 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Scripts, grooves, and writing machines (SOURCE_BOOK) |
| Editora | Stanford University Press (PUBLISHER) |
| Open Library | OL40161M |
| ISBN | 9780804732703 |
| Idioma | EN |
| Citações recebidas | 61 |
"This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality.". "At the book's heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison's "electric pen") or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while simultaneously arguing for an interdisciplinary method for considering texts and textual production." "The phonograph and the typewriter may be things of the past, but this book will resonate with readers who are engaged daily with computer networks, hypertexts, and the forms that mass media will take in the new century."--BOOK JACKET.
Communication · Communication and technology · History · Literacy · Technological innovations · united states
Music, Language, and Texts
What Happens When You Push This
The Absence of Presence and the Presence of Absence
Trumpets, Horns, and Typewriters
When Violins Were Trees
Thoughts and spirits by wireless
Where Is This Now, Now
Enigmatic Proofs
At the Interface
The Museum of Jurassic Technology, Culver City, California
The Victorian Aura of the Recorded Voice
Radio Mind
Charles W. Chesnutt's Stenographic Realism
Typewriting Mass Observation Online
Stenography and Literature
Dear Punchy
The Female Sublime
Producing Sense, Comsuming Sense, Making Sense
Textual Healing
And
The Take and the Stutter
The Automatization of Nikola Tesla
Bibliography Relations of Science to Literature and the Arts 1999
Sounding and Writing a Nepali Public Sphere
From Sonic Models to Sonic Hooligans
Edison’s Telephonoscope’
Collection and recollection
Agath and the Ephemeral Text in Melville's Clarel
How Does Paper Mean
The Seduction of Sound in Consumer Culture
Spiritualism exposed
Travelling phonographs in fin de siècle Spain
Force, flatness and touch without feeling
Surveillance history and the history of new media
When the good times are over
No Discipline
Splitting Sight and Sound
Toward slow archives
The Invisible Made Visible
Straight Pins, Gauze, and Linotypes
The Damn Machine
The Sound of Evolution
(Il)legibility and Handwriting in Meiji Letters
Reconfigured Medication
Writing Novels, Simulating Voices
Reading ‘On the Go’
From the writing cure to the talking cure
No Transmitter
Folk Media
A Cosmology of Invisible Fluids
Voices that Matter
Sonic geographies
Engineering the Performance
The groove in the box
Imperfect sound forever
I Am I Be”
Feenin
Soundscapes
Communicative Resurrection
Imperial Transmissions
Fixing race
| Obras citantes distintas | 61 |
|---|---|
| Citações por ano | 2,44 |
| Intervalo de citações | 2001 - 2021 (21) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 50 |