Religious aesthetics and feminist containment in Rosalía

The disciplining of excess between cooptation and resistance

Dados Bibliográficos

ID24215508
AutoresSonia Núñez Puente (0000-0002-2100-3230, Universidad Rey Juan Carlos University), Diana Fernández Romero (0000-0003-2692-4474, Universidad Rey Juan Carlos University)
Ano2026
Páginas1-17
Data de publicação2026-09-25
Open AccessSim
TipoARTICLE
PeriódicoContinuum (JOURNAL)
Identificadores do periódicoISSN: 1030-4312 • E-ISSN: 1469-3666
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10304312.2026.2737645
OpenAlexW7214311267
IdiomaEN
Referências citadas16

This article examines the disciplining of ‘feminist excess’ in public reception and Rosalía’s aesthetic repositioning in the context of the emergence of her album Lux (2025), situating her reluctance to explicitly identify as a feminist in a cultural scenario marked by the resurgence of religious youth movements, the advance of anti-feminist tendencies, and post-#MeToo disputes over the conditions of visibility and legitimacy of feminism. Based on a corpus of 40 journalistic pieces published in Spanish media, the article applies a model of critical discourse analysis based on the operationalization of the concept of excess in two analytical dimensions: as an epistemic device that organizes the politics of excess between discipline and resistance, and as a dynamic category linked to the redefinition of the thresholds of the intelligible. From this perspective, the article proposes to address containment not only as a technology of regulation, but as a space in which the limits of the intelligibility of feminist political activism and its discursive representation are renegotiated.

#MeToo · Anti-feminism · co-optation · containment · disciplining · intelligibility · media reception · religious aesthetics · Resistance · Rosalía · Spanish popular music · Feminism, Gender, and Intersectionality · Gender and Feminist Studies · Gender, Feminism, and Media

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