The Movies and Social Observation

This article focuses on an early work of Herbert Blumer, Movies and Conduct, a study which reports the reactions of moviegoers to motion pictures. Contrasting Blumer's study with contemporary feminist film studies which are based on a psychoanalytically oriented semiotics, I argue that Blumer's contribution to sociology was an observational methodology of documentation and description, generally known as Symbolic Interactionism, which drew on a cinematographic sense of vision. At the same time, this methodology claimed a scientific objectivity for social observation by erasing from it any traces of the visual erotic which constituted both early cinema and the psychoanalytic interpretation of the subject. Thus, Blumer's methodology presents itself as 'sexless

Art history · Epistemology · Linguistics · Movie theater · Psychoanalysis · Psychoanalytic theory · Semiotics · Social science · Sociology · Symbolic interactionism · Cinema and Media Studies · Cinema History and Criticism · History · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

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• Reading the Alcoholic Film

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• Reading Tender Mercies

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• Women and Film

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• Life and Death in Psychoanalysis

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• Alice Doesn’t

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• The Desire to Desire

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• The History of Sexuality

  Open Access•Micheal Foucault•Oxford Literary Review•1980

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• Visual Pleasure and Narrative Cinema

  Laura Mulvey•Screen•1975

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  Margaret Doane, M A Doane•Screen•1982

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• What Novels Can Do That Films Can't (And Vice Versa)

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