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Tragedy and melodrama in early ch'uan-ch'i plays

Lute song' and 'Thorn hairpin' Compared

Dados Bibliográficos

ID2776856
AutoresCyril Birch (0000-0001-9384-2810, autor correspondente)
Ano1973
Volume36
Fascículo2
Páginas228-247
Data de publicação1973-06-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoBulletin of the School of Oriental and African Studies (JOURNAL)
Identificadores do periódicoISSN: 0041-977X • E-ISSN: 1474-0699
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0041977x00134202
OpenAlexW2025681397
IdiomaEN
Referências citadas2

This paper is intended first as a tribute to my teacher, and second as a small contribution to the perennial discussion of the place or extent of the tragic in Chinese literature. I shall plead limited space as excuse for refraining from philosophical discussion, definition, or comparison with Classical Greek or Shakespearean manifestations of the tragic. My suggestion will be simply that P'i-p'a chi 'Lute song' (hereafter 'Lute') may be added to Kuan Han-ch'ing's Ton O yuan and the 'Red chamber dream 'on that select list of Chinese works which in the conflicts they present and the resolutions they propose tend towards the tragic

Art · Art history · Comedy · Dream · Excuse · Greek tragedy · Literature · Lute · Tragedy (event) · Tribute · Chinese history and philosophy · Hong Kong and Taiwan Politics · Law · Philippine History and Culture · Philosophy · Psychology

  • Studies in Chinese Literary Genres

    C H Wang, Cyril Birch•Comparative Literature•1977

  • Studies in Chinese Literary Genres

    Cyril Birch•Studies in Chinese Literary Genres•1974

Velocidade de citaçãohistorical
Altamente citadoNão
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