Musical Miscegenation and the Logic of Rock and Roll
"Homosocial Desire and Racial Productivity in "A Paler Shade of White
Dados Bibliográficos
| ID | 2970016 |
|---|---|
| Autores | Roshanak Kheshti (0009-0005-6290-6072, autor correspondente) |
| Ano | 2008 |
| Volume | 60 |
| Fascículo | 4 |
| Páginas | 1037-1055 |
| Data de publicação | 2008-12-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | American Quarterly (JOURNAL) |
| Identificadores do periódico | ISSN: 0003-0678 • E-ISSN: 1080-6490 |
| Editora | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/aq.0.0040 |
| OpenAlex | W1974047555 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 10 |
I've spent the past decade wondering why rock and roll, the most miscegenated popular music ever to have existed, underwent a racial re-sorting in the nineteen-nineties. Why did so many white rock bands retreat from the ecstatic singing and intense, voicelike guitar tones of the blues, the heavy African downbeat, and the elaborate showmanship that characterized black music of the mid-twentieth century? Sasha Frere-Jones, A Paler Shade of White
Aesthetics · Art · Economics · Musical · Productivity · Sociology · Visual arts · White (mutation · Gender Studies · History · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History
| Obras citantes distintas | 3 |
|---|---|
| Citações por ano | 0,2 |
| Intervalo de citações | 2011 - 2021 (11) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |