On Writing Art History in Australia
Dados Bibliográficos
| ID | 3147490 |
|---|---|
| Autores | Bernard Smith (The University of Melbourne, autor correspondente) |
| Ano | 2005 |
| Volume | 82 |
| Fascículo | 1 |
| Páginas | 5-15 |
| Data de publicação | 2005-08-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Thesis Eleven (JOURNAL) |
| Identificadores do periódico | ISSN: 0725-5136 • E-ISSN: 1461-7455 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0725513605054354 |
| OpenAlex | W2134126833 |
| Idioma | EN |
| Citações recebidas | 4 |
In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Bernard Smith discusses the practice of writing art history in, and about, Australia and Europe. Smith defends periodization, and argues for the necessity of henceforth viewing what is typically called modernism as what he calls the formalesque. Further discussion includes problems of classification, the role of theory, and the place of Aboriginal art in white art history. The article thus surveys the condition of art history in Australia, its emergence and consolidation as a discipline, and its present situation as part of contemporary world culture
Aesthetics · Art · Art history · Contemporary art · Performance art · Periodization · Sociology · Cultural Heritage Management and Preservation · History · Museums and Cultural Heritage
| Obras citantes distintas | 4 |
|---|---|
| Citações por ano | 0,2 |
| Intervalo de citações | 2006 - 2014 (9) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |