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Indigenismo and the Limits of Cultural Appropriation

Frida Kahlo and Marina Núñez Del Prado

Dados Bibliográficos

ID3774557
AutoresCamilla Sutherland (Department of European Languages & Cultures University of GroningenHarmoniegebouwOude Kijk in Het Jatstraat 269712 EK, GroningenThe Netherlands, autor correspondente)
Ano2022
Volume27
Fascículo3-4
Páginas75-90
Data de publicação2022-07-04
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoAngelaki (JOURNAL)
Identificadores do periódicoISSN: 0969-725X • E-ISSN: 1469-2899
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2022.2093949
OpenAlexW4294956212
IdiomaEN
Citações recebidas1
Referências citadas13

This article turns a critical eye on the indigenista movement that flourished in Latin America in the first half of the twentieth century, specifically as it relates to gender, race, and the visual arts. Beginning with a brief overview of the emergence of indigenismo in Mexico and the Andean region, it will move on to offer a comparative reading of the life and works of Mexican painter Frida Kahlo (1907-54) and the lesser-known Bolivian sculptor Marina Núñez del Prado (1910-95). Both women drew heavily from indigenous culture in their works and employed modes of self-fashioning rooted in performed indigeneity. As members of a cosmopolitan elite, Kahlo’s and Núñez del Prado’s engagements with indigenous culture can be framed as appropriative. However, what this article seeks to explore is the extent to which gender and location complicate our interpretation of the racial tensions at the heart of Latin American modernism

Appropriation · Art · Art history · Elite · Humanities · Indigenous · Interpretation (philosophy · Latin Americans · Media studies · Modernism (music · Painting · Political science · Politics · Popular culture · Race (biology · Reading (process · Sociology · Anthropology · Cultural and Social Studies in Latin America · Feminism, Gender, and Social Issues · Gender Studies · History · Latin American Cultural Politics · Law · Philosophy

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    Analisa Taylor•Signs: Journal of Women in…•2006

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    Open Access•Colin Rhodes•The Art Book•1994

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    Norman Narotsky, Andre Breton et al.•Leonardo•1974

  • Exhibiting Identity

    Fabiana Serviddio•Journal of Social History•2010

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Obras citantes distintas1
Citações por ano1
Intervalo de citações2026 - 2026 (1)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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