Nostalgia for 1968 and political commitment

When she refers to France’s publishing output dealing with May ’68, Antje Kramer-Mallordy laments the fact that the lion’s share has gone to posters and photographs, instead of “re-situating events in a much wider chronology and geography”. Her analysis has been shared by our editorial committees in formulating their choices for the contents of this issue around larger periods than simply the year 1968, and in the selection of politically committed publications. The heading “Revisiting Histor

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• The Self in the Age of Design. From Human Enhancement to Machine Learning

  Tania Vladova•Critique d’art•2018

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• Defining a Space for New Art Genealogies - North-African and Middle-Eastern Modernities and Critical Legacies

  Émilie Goudal•Critique d’art•2018

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• The Art Critics' Month of May

  Antje Kramer-Mallordy•Critique d’art•2018

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• Curating Activism

  Juan Albarrán Diego•Critique d’art•2018

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