DIY and digital archaeology
What Are You Doing to Participate
Dados Bibliográficos
| ID | 3919939 |
|---|---|
| Autores | C Morgan (0000-0001-6907-5535, University of California, Berkeley), Stuart James Eve (0000-0003-0677-9812, University College London), Stuart Eve |
| Ano | 2012 |
| Volume | 44 |
| Fascículo | 4 |
| Páginas | 521-537 |
| Data de publicação | 2012-12-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | World Archaeology (JOURNAL) |
| Identificadores do periódico | ISSN: 0043-8243 • E-ISSN: 1470-1375 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00438243.2012.741810 |
| OpenAlex | W1966462006 |
| Idioma | EN |
| Citações recebidas | 61 |
| Referências citadas | 21 |
The power and the promise of digital technology provides the opportunity to revolutionise the way we think about and do archaeology. This opportunity has been seized by a few enterprising archaeologists, but can only be fully realised when a culture of participation and sharing is fostered in both academic and professional realms. Digital literacy and critical digital media object creation cannot be the realm of only a few heritage professionals, but should be cultivated and rewarded as we create new publication standards throughout archaeology. We present the background of digital participatory culture, the current entanglement of open source, open access, and for-profit technology in archaeology, and offer a challenge: to create a more ubiquitous, reflexive, open and participatory archaeology on both the institutional and the individual level
Archaeology · Citizen journalism · Literacy · Media studies · Participatory culture · Political science · Realm · Sociology · 3D Surveying and Cultural Heritage · History · Image Processing and 3D Reconstruction · Law · Museums and Cultural Heritage
Key Concepts in Public Archaeology
Decentering the discipline? Archaeology, museums and social media
Harf
Mapping movement in turbulent times
Reasons for Redundancy in Reflexivity
Whither Digital Archaeological Knowledge? The Challenge of Unstable Futures
Designing a Collaborative Peer-to-peer System for Archaeology
Changing Theory and Practice? CAA and Archaeology’s Digital Turn
Archaeological Practices, Knowledge Work and Digitalisation
As if the Pieces of the Past Were in Our Hands”
Co-Creation’s Role in Digital Public Archaeology
Using the ArcGIS Collector Mobile App for Settlement Survey Data Collection in Armenia
Integrating Older Survey Data into Modern Research Paradigms
Mobilization as Mediation
The Serialized Past
Art, Creativity and Automation. From Charters to Shared 3D Visualization Practices
Curating Archaeological Knowledgein the Digital Continuum
Visualizing Archaeologists
Figurations of Digital Practice, Craft, and Agency in Two Mediterranean Fieldwork Projects
The Social Web and Archaeology’s Restructuring
The Use of 3D Photogrammetry in the Analysis, Visualization, and Dissemination of the Indigenous Archaeological Heritage of the Greater Antilles
Interpretation at the Controller’s Edge
Pottery Goes Public. Performing Archaeological Research Amid the Audience
Tactics against Antiquity
Forging the medieval on Wikipedia
Reflections on the Use of Social Networking Sites as an Interactive Tool for Data Dissemination in Digital Archaeology
Models and Metadata
Faces of Archaeology
Archaeology and the Moving Image
Open Archaeology, Open Source? Collaborative practices in an emerging community of archaeological software engineers
Vlog to Death
The Ashwell Project
Changing the way Archaeologists Work
Digital Media, Power and (in)equality in Archaeology and Heritage
Data-Informed Tools for Archaeological Reflexivity
The Rise of the Machine
From Blogs to Books
Critical Reflections on Digital Public Archaeology
Using Social Media for Research Dissemination
Introduction
Bones, Bodies, and Blogs
Digital Practice as Meaning Making in Archaeology
Going from Analogue to Digital
Mapping the GIS Landscape
Everything new is old again
Creating eresearch Tools For Archaeologists
Tracing edges
Digitally Recording Excavations on a Budget
The Proximity of Communities to the Expanse of Big Data
From the Killing Ground
The Untapped Potential of Low-Cost Photogrammetry in Community-Based Archaeology
Battle or ballet? Metaphors archaeological Facebook administrators live by
Slow Archaeology, Punk Archaeology, and the ‘Archaeology of Care
Avatars, Monsters, and Machines
The Archaeology of the Postindustrial
Archives in action. The impact of digital technology on archaeological recording strategies and ensuing open research archives
Archaeology and the Mooc
Current Digital Archaeology
The Future of Archaeological Knowledge Making
Redefining Islam in Central Asia
Antisocial media in archaeology
Gender and archaeology
Archaeology as Political Action
The Language of New Media
Prolegomena to Open Pasts
Fractured Media
Feminist Adventures in Hypertext
Recent trends in computer applications in archaeology
From Silicon Valley to the Valley of Teotihuacan
Four Archaeological Engagements With Place Mediating Bodily Experience Through Peripatetic Video
Simians, Cyborgs, and Women
Seven Interventions with the Flatlands
Programme to Practice
The Cultural Life of Images
Protecting Traditional Knowledge and Expanding Access to Scientific Data
Exorcising the 'plague of fantasies
Writing archaeology
Gendered Citation Practices inAmerican Antiquityand Other Archaeology Journals
Seeing the Past
When We Have Never Been Human, What Is to Be Done
The Craft of Archaeology
| Obras citantes distintas | 61 |
|---|---|
| Citações por ano | 4,69 |
| Intervalo de citações | 2013 - 2026 (14) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 60 |