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A Towering Virtue of Necessity

Interdisciplinarity and the Rise of Computer Music at Vietnam-Era Stanford

Dados Bibliográficos

ID3924974
AutoresCyrus C M Mody (0000-0002-5266-5878, Rice University), Andrew J Nelson (0000-0001-7838-1198)
Ano2013
Volume28
Fascículo1
Páginas254-277
Data de publicação2013-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoOsiris (JOURNAL)
Identificadores do periódicoISSN: 0369-7827 • E-ISSN: 1933-8287
EditoraUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/671380
OpenAlexW1992982563
IdiomaEN
Citações recebidas4
Referências citadas13

Stanford, more than most American universities, transformed in the early Cold War into a research powerhouse tied to national security priorities. The budgetary and legitimacy crises that beset the military-industrial-academic research complex in the 1960s thus struck Stanford so deeply that many feared the university itself might not survive. We argue that these crises facilitated the rise of a new kind of interdisciplinarity at Stanford, as evidenced in particular by the founding of the university''s computer music center. Focusing on the multivocal technology of computer music, we investigate the relationships between Stanford''s broader institutional environment and the interactions among musicians, engineers, administrators, activists, and funders in order to explain the emergence of one of the most creative and profitable loci for Stanford''s contributions to industry and the arts

Cold war · Economic history · Economics · Legitimacy · Media studies · Order (exchange · Political science · Politics · Sociology · The arts · Art, Technology, and Culture · Digital and Traditional Archives Management · History · History of Computing Technologies · Law

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Obras citantes distintas4
Citações por ano0,36
Intervalo de citações2015 - 2023 (9)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 4
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