Dystopia, Gerontology and the Writing of Margaret Atwood

Dados Bibliográficos

ID3945906
AutoresHelen Snaith, Helen M Snaith (0000-0001-7751-2985, Swansea University, autor correspondente)
Ano2017
Volume116
Fascículo1
Páginas118-132
Data de publicação2017-07-01
Open AccessSim
TipoARTICLE
PeriódicoFeminist Review (JOURNAL)
Identificadores do periódicoISSN: 0141-7789 • E-ISSN: 1466-4380
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1057/s41305-017-0068-5
OpenAlexW2762470802
IdiomaEN
Citações recebidas2
Referências citadas11

Old age and visions of the future are inherently bound with one another, and the realms of dystopian fiction provide scope for a gerontological focus within contemporary literature. A theme that is now being revisited in speculative fiction, this paper aims to assess the role of the elderly within Margaret Atwood's dystopian tales, specifically looking at the role of gerontology in her collection of short stories Stone Mattress: Nine Wicked Tales (2014). I argue that Atwood utilises the dystopian narrative in order to address broader social issues that stem from immobility and declining virility. Focussing on Atwood's feminist politics and representations of the elderly woman in the dystopian narrative, this paper proposes that older women in Atwood's fiction seek to move beyond the asexual, immobile and matronly gerontological stereotype that is often portrayed in literature. Instead, the elderly, and in particular elder women, adapt to their environment, often becoming figures of their community. They are aware of sexual desires and look to move within and beyond societal constraints, utilising the realms of cyberspace in order to forge their own identity. The role of the elderly in a distinctly dystopian narrative allows for a new Utopian strategy to be constructed

Aesthetics · Art · Dystopia · Literature · Narrative · Political science · Politics · Sociology · Theme (computing) · Gender Studies · Law · Utopian, Dystopian, and Speculative Fiction