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The legacy of dissent

Mohamed Khair-Eddine and the ongoing cultural diversity debate in Morocco

Dados Bibliográficos

ID3978991
AutoresLarbi Touaf (0000-0001-8381-463X, Mohamed I University, autor correspondente)
Ano2016
Volume21
Fascículo1
Páginas50-59
Data de publicação2016-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe Journal of North African Studies (JOURNAL)
Identificadores do periódicoISSN: 1362-9387 • E-ISSN: 1743-9345
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2015.1084120
OpenAlexW1854834188
IdiomaEN
Citações recebidas3

In 1967, a small and uncategorisable narrative work was published that triggered a seismic chain reaction in the emergent Moroccan literary scene. Agadir (Le Seuil, 1967) and the subsequent works of Mohamed Khair-Eddine laid the foundation for debates that are ongoing, and tackle our most pressing issues of cultural identity, popular culture, religious practice, political system, and societal values. Initially a member of the ‘Souffles’ group, Khair-Eddine eventually went beyond the aesthetics and especially the political positions of his fellow writers, artists, and poets. In this article, I argue that the aesthetics and politics of oppositionality that moves Mohamed Khair-Eddine's writing were the expression of ‘the dream deferred’, in that the current debates on cultural identity, societal values, and the political system in Morocco are similar to the issues debated by the intellectual elites in the 1960s and the 1970s of the past century

Aesthetics · Art · Dissent · Diversity (politics · Identity (music · Literature · Narrative · Political dissent · Political science · Politics · Sociology · African Studies and Geopolitics · Law · Multiculturalism, Politics, Migration, Gender · North African History and Literature

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Obras citantes distintas3
Citações por ano0,33
Intervalo de citações2017 - 2017 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 3
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