Murals in North Africa
Performing the Martyr in the City
Dados Bibliográficos
| ID | 3979565 |
|---|---|
| Autores | Kamal Salhi (0000-0003-2686-1979, University of Leeds, autor correspondente), Salima Benouargla (0009-0003-6640-2432, Ziane Achour University) |
| Ano | 2025 |
| Volume | 30 |
| Fascículo | 2 |
| Páginas | 294-328 |
| Data de publicação | 2025-03-04 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | The Journal of North African Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1362-9387 • E-ISSN: 1743-9345 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13629387.2024.2430781 |
| OpenAlex | W4405273478 |
| Idioma | EN |
| Referências citadas | 31 |
Aesthetics · Archaeology · Art · Ephemeral key · Graffiti · Martyr · Media studies · Political science · Politics · Resistance (ecology · Sociology · Temporality · Unrest · Visual arts · Computer Science · History · Law · Law in Society and Culture · Philosophy · Public Spaces through Art · Urban and sociocultural dynamics
Globalization, Imperialism, and Masculinities
Symbolic Exchange and Death
Staging the State
Memory, power and resistance
Egyptian Football Ultras and the January 25th Revolution
The Global Street
Maze of Resistance
Our desires are ungovernable’
Public space and public protest in Kuwait, 1938–2012
More than just a battleground
Gender, urban space, and the right to everyday life
Claiming place
Tahrir Square, From Place to Space
Throw Word’
Embodying T ahrir
The Female Martyr and the Politics of Death
Five Spaces of Cultural Criminology
At the Wall
On the Signification of Walls in Verbal and Visual Art
Assembling a Revolution
Necropolitics
Something from Nothing
Walls, Segregating Downtown Cairo and the Mohammed Mahmud Street Graffiti
The privilege of revolution
No longer a bargain
Street Art, Sweet Art? Reclaiming the "Public" in Public Place
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |