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Músicos y tambores en la etnomusicología de la transculturación

Fernando Ortiz, los tamboreros de Regla y la etnografía afrocubana

Dados Bibliográficos

ID3980077
AutoresJ Pavez Ojeda (0000-0003-0685-2290, autor correspondente)
Ano2016
Volume37
Fascículo2
Páginas208-238
Data de publicação2016-12-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoLatin American Music Review (JOURNAL)
Identificadores do periódicoISSN: 0163-0350 • E-ISSN: 1536-0199
EditoraProject MUSE (PUBLISHER • US)
DOI10.7560/lamr37203
OpenAlexW2554392613
IdiomaES
Citações recebidas3
Referências citadas24

In this article I study the form of production of the “ethnographic authority” in the musicological work of Fernando Ortiz, founding author of an ethnological narrative for the Cuban nation, in which Afro-Cuban music occupies a central place. In this way, we will be able to see the rise and inscription of the ethnographic dialogic agency—the drums and the drummers from Regla (Havana) as ethnomusicology objects and subjects—in the texts of music representation

Art · Dialogic · Ethnography · Ethnomusicology · Humanities · Literature · Musical · Narrative · Political science · Sociology · Anthropology · Cuban History and Society · History · Latin American and Latino Studies · Music History and Culture

  • Writing Orisha Music

    Open Access•David Font-Navarrete•Religions•2021

  • The fetishes of Fernando Ortiz

    Open Access•J Pavez Ojeda•Hau Journal of Ethnographic Theory•2021

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    Open Access•Stephan Palmié•Religião & Sociedade•2007

  • Los bailes y el teatro de los negros en el folklore de Cuba

    Duvon C Corbitt, Fernando Ortiz et al.•Hispanic American Historical Review•1952

  • Along the Archival Grain

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  • A Secret Society Goes Public

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  • A view from itia ororó kande1

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Obras citantes distintas3
Citações por ano0,6
Intervalo de citações2021 - 2021 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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