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Le triolet multicolore. Dans la musique sud-africaine, une blanche n'égale pas nécessairement deux noires

Dados Bibliográficos

ID4266534
AutoresDenis Martins (0000-0002-4538-5739, autor correspondente), Denis Martin
Ano1987
Volume25
Fascículo1
Páginas74-81
Data de publicação1987-01-01
Open AccessNão
TipoARTICLE
PeriódicoPolitique africaine (JOURNAL)
Identificadores do periódicoISSN: 0244-7827 • E-ISSN: 2264-5047
EditoraPERSEE Program (PUBLISHER)
DOI10.3406/polaf.1987.3850
OpenAlexW4376060541
IdiomaFR

South African music : a fuzzy triplet... South African music can be perceived as the aesthetical embodiment of a broader dream of cultural unity expressed in different representations and ideologies. History shows that it grew out of many contacts between South Africa's different communities ; today's musical forms blend characters borrowed from their cultural traditions. But, because of segregation and apartheid, South African popular music, in spite of its mixity, has acquired a «black» identity that leads supporters of the «white» powers to categorize its practitioners and fans alike as «pro-African» or «anti-apartheid». What is the most complete expression of the common history of South African peoples has therefore been put into the hands of the African majority which is, now, the only group liable to give it back to South Africa as a whole. In this particular respect, as in some others, music participates in the struggle for the liberation of South Africa

Art · Ethnology · History of Africa · Humanities · Ideology · Musical · Political science · Politics · Sociology · Visual arts · African history and culture studies · Anthropology · Gender Studies · History · Law · Music History and Culture · South African History and Culture

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