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The Parents' Music Resource Center

From Information to Censorship

Dados Bibliográficos

ID4304405
AutoresClaude Chastagner (0000-0002-6516-3375, Les Afriques dans le Monde, autor correspondente)
Ano1999
Volume18
Fascículo2
Páginas179-192
Data de publicação1999-05-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoPopular Music (JOURNAL)
Identificadores do periódicoISSN: 0261-1430 • E-ISSN: 1474-0095
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s026114300000903x
OpenAlexW2129605425
IdiomaEN
Citações recebidas20
Referências citadas4

My purpose in this paper is to recount the history of the Parents' Music Resource Center, an American organisation founded in 1985 whose main concern has been to denounce the obscenity and violence of rock music on the grounds that it is partly responsible for the numerous ills that plague the United States. The PMRC claimed that it only wished to inform the public but my suggestion here is that the actions of the organisation resulted in a de facto censorship of popular music. I shall accordingly describe the various steps of the process that led from information to censorship as well as probe the deeper reasons that may have motivated the action of the Center

Action (physics · Archaeology · Censorship · Center (category theory · Media studies · Plague (disease · Political science · Resource (disambiguation · Sociology · Computer Science · History · Law · Music History and Culture

  • Satan, Subliminals, and Suicide

    John Brackett•American Music•2018

  • The Paranoid Style and Popular Music: The Case of the Vigilant Citizen

    Open Access•Joe Stroud•Journal of Popular Music Studies•2016

  • No Time for Losers

    Dietrich Helms, Thomas Phleps•No Time for Losers•2008

  • “This isn’t a mudhole… It’s an operating table.”

    Open Access•Richard D Deverell•Mise au point•2025

  • Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes

    Open Access•Kirk Olsen, Josephine Terry et al.•Current Psychology•2023

  • Pop stars and idolatry

    Ruth Till, Rupert Till•Journal of Beliefs and Values•2010

  • I Am Your Faggot Anti-Pope”

    Open Access•Coco D’hont•European Journal of American…•2017

  • Prince Rogers Nelson

    Open Access•Cassandra Chaney•Journal of African American Studies•2017

  • Musical Hypnosis

    James Kennaway•Social History of Medicine•2011

  • Market Power in Music Retailing

    Mark A Fox•Popular Music & Society•2005

  • Spillover Censorship

    Steen Kaargaard Nielsen, Mads Krogh•Popular Music & Society•2017

  • Building a better PIG

    Open Access•Maria Fontenot, Chad Harriss•Media Culture & Society•2010

  • Bob, Bono and Tony B

    Open Access•J Street•Media Culture & Society•2002

  • Music and Conflict

    Open Access•M J Grant, Michael Grant et al.•Interdisciplinary Science Reviews•2010

  • Can't Tell Me Nothing

    Chris Richardson•Popular Music & Society•2011

  • Involvement and Detachment

    Open Access•Gary Sinclair•Journal of Macromarketing•2015

  • Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy

    Robert Walser•Ethnomusicology•1995

  • Fight the Power

    Open Access•J Street•Government and Opposition•2003

  • Sexual violence and free speech in popular music

    Open Access•R L Hill, Heather Savigny•Popular Music•2019

  • Or any art at all

    Open Access•David Wragg, David A Wragg•Popular Music•2001

  • Present Tense

    Anthony Decurtis•Present Tense•1992

  • La violence et le sacre

    Carl A Rubino, René Girard•Modern Language Notes•1972

  • Frankenchrist versus the State

    Open Access•David Kennedy, David J Kennedy•The Journal of Popular Culture•1990

  • We Gotta Get Out of This Place

    William Graebner, L Grossberg•Journal of American History•1993

Obras citantes distintas20
Citações por ano0,65
Intervalo de citações1995 - 2025 (31)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 19
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