Rural Public Arts
Vernacular Materials, Landscape, and Time
Dados Bibliográficos
| ID | 4364533 |
|---|---|
| Autores | Joni M Palmer (autor correspondente) |
| Ano | 2015 |
| Volume | 10 |
| Fascículo | 2 |
| Páginas | 237-255 |
| Data de publicação | 2015-05-04 |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | The Senses and Society (JOURNAL) |
| Identificadores do periódico | ISSN: 1745-8927 • E-ISSN: 1745-8935 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17458927.2015.1042248 |
| OpenAlex | W2133808146 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 8 |
This article explores the role of vernacular materials in public arts installations that express particular qualities of light, landscape, and time in rural landscapes. The incorporation of light –“natural,” analogue, or digital – is a common strategy to grab or focus attention in public art projects today. These projects can tend to be flashy (literally) or “high-tech”; however, it is not these types of installations that will be examined here. Rather, I am looking at instances where mundane and vernacular materials are used to capture specific qualities and experiences intrinsic to a local landscape. Important to such works is that they engage local as well as “visiting” publics, and they make possible intimate and strangely profound experiences in expansive landscapes. In this article I will discuss one project, the Glass Garden, in Golden, New Mexico, which is on the Turquoise Trail, part way between Albuquerque and Santa Fe
Aesthetics · Archaeology · Art · Environmental ethics · Expansive · Literature · Natural (archaeology · Sociology · The arts · Vernacular · Vernacular architecture · Visual arts · Cultural Heritage Management and Preservation · Geographies of human-animal interactions · History · Museums and Cultural Heritage · Philosophy
| Citações por ano | 0,5 |
|---|---|
| Intervalo de citações | 2020 - 2023 (4) |
| Altamente citado | Não |