Black, fat and travesti

Decolonial artivist approaches to trans and travesti beauty and embodiment in São Paulo, Brazil

Dados Bibliográficos

ID4367358
AutoresAlvaro Jarrin (0000-0001-5963-089X, College of the Holy Cross, autor correspondente)
Ano2025
Volume26
Fascículo4
Páginas874-890
Data de publicação2025-06-27
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoFeminist Theory (JOURNAL)
Identificadores do periódicoISSN: 1464-7001 • E-ISSN: 1741-2773
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/14647001251351177
OpenAlexW4411729842
IdiomaEN
Citações recebidas3
Referências citadas24

Trans and travesti artivists in São Paulo, Brazil use their artistic production to critique transphobic violence and celebrate gender nonconformity. Some of the key voices in that movement, like Jup do Bairro, Ayô Tupinambá, Beta Boechat and Letícia Carolina Nascimento, centre much of their work on the harms of Eurocentric and cisnormative beauty standards for their own existence as Black, fat and gender nonconforming Brazilians from working-class origins. Their music, videos and activism are evidence of a powerful, counterhegemonic notion of beauty and bodily value, demonstrating new paths for decolonising normative 'aesthetic hierarchies' in Brazil. Their work also provides key insights regarding how a decolonial praxis centred on fat, Black and trans/travesti forms of embodiment produces defiant forms of self-love that are doubly subversive as bodily assemblages that exceed the norm and that reterritorialise beauty and ugliness with new meanings. Furthermore, their artivism can also be considered a transfeminist 'political-pedagogical praxis' that communicates decolonial forms of embodiment to a wider audience, and inspires others to follow on their footsteps, illuminating potential paths for social transformation

Aesthetics · Art · Beauty · Sociology · Anthropological Studies and Insights · Fashion and Cultural Textiles · Gender Studies · Gender, Feminism, and Media