Second-Generation Testimony, Transmission of Trauma, and Postmemory
Dados Bibliográficos
| ID | 4375136 |
|---|---|
| Autores | Ernst Van Alphen (0000-0002-3980-5354, autor correspondente) |
| Ano | 2006 |
| Volume | 27 |
| Fascículo | 2 |
| Páginas | 473-488 |
| Data de publicação | 2006-06-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Poetics Today (JOURNAL) |
| Identificadores do periódico | ISSN: 0333-5372 • E-ISSN: 1527-5507 |
| Editora | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/03335372-2005-015 |
| OpenAlex | W2163801343 |
| Idioma | EN |
| Citações recebidas | 44 |
| Referências citadas | 4 |
In discussions of second- and third-generation Holocaust literature and testimony, it is an accepted idea that the trauma of Holocaust survivors is often transmitted from the first to the second and later generations. This article analyzes the "problems" of survivors' children in order to see if they can be understood by reference to the trauma of the parents. This will be done on the basis of literary testimonies, namely, Eva Hoffman's After Such Knowledge: Memory, History, and the Legacy of the Holocaust and Carl Friedman's Nightfather
Art · Holocaust survivors · Literature · Psychoanalysis · Sociology · Telecommunications · The Holocaust · Theology · Computer Science · German History and Society · History · Memory, Trauma, and Commemoration · Philosophy · Polish-Jewish Holocaust Memory Studies · Psychology
A posmemória em Maus, de Art Spiegelman
Refugees and Representation
Rephotography and the Era of Witness
Female re‐writings of the Jewish diaspora
Tracce e corpi dal passato
“Nie zdołam wejść w jej buty ani los”. O biografii jako auto/biografii w twórczości drugiego pokolenia
Remembering Dora Bruder
Remembering the 1998 Indonesian Sorcerers Massacre
At Vende Tilbage Til Ukendte Steder - Posthukommelse Og Sted Hos Jacob Dammas, Jacob Kofler Og Maja Magdalena Swiderska
Introduction
Estamos en guerra
Musical Witness and Holocaust Representation
New Reflections on Primo Levi
Queering the Migrant in Contemporary European Cinema
Agents of Transculturation. Border-Crossers, Mediators, Go-Betweens
Keeping History at Bay
Legacies of the Second World War
Don't look back! Educational perspectives on the management of family history memory among Spanish journalism students
The Body as Memory
Psychopoetic Encounters
Progress, Trauma and Narrative Possibilities in Nora Ikstena’s Soviet Milk
La ciudad de los fotógrafos
Memory, postmemory and gender in letters by women to executed and disappeared women during the 1973–1990 Chilean dictatorship
The performativity of provocation
Specters of the Past
Bosnian Americans
Elle s'appelait Sarah and the Limits of Postwar Witnessing and Memory
The emergence of trauma through language
In the liveliest place, my mother's bosom, there was death’ – mother-daughter relationships in the work of Rachel Nemesh, Second-Generation Holocaust survivor
Counter-memory as resistance
Dialogic Memories in Graphic Narratives
Transgenerational Trauma, Shared Vulnerability and Interconnectedness in Zina Rohan’s The Small Book
He didn’t really talk about it’
“The Ghost Language Which Passes between the Generations”
Negotiating Proximity and Distance to Holocaust Memory through Narrativity and Photography in Monika Maron’s Pawels Briefe (Pavel’s Letters) (1999)
The Chagossians in Francophone fiction
Life gained – identity lost – Untold stories from the second- and third generation Holocaust survivors
Mariel in Contemporary Cuban-American Writing
(Post)Memory and resistance in Keum Suk Gendry-Kim’s Grass (2019) and the Waiting (2021)
William Kentridge's animated Drawings for Projection as a postmemorial aesthetic
The evental archive
The Generation of Postmemory
The Politics of Postmemory
Synmemory
| Obras citantes distintas | 44 |
|---|---|
| Citações por ano | 0,79 |
| Intervalo de citações | 1970 - 2026 (57) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 33 |