Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

The Languages of Art

How Representational and Abstract Painters Conceptualize Their Work in Terms of Language

Dados Bibliográficos

ID4375889
AutoresKaren Sullivan (0000-0002-5486-0247, The University of Queensland, autor correspondente)
Ano2009
Volume30
Fascículo3
Páginas517-560
Data de publicação2009-09-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoPoetics Today (JOURNAL)
Identificadores do periódicoISSN: 0333-5372 • E-ISSN: 1527-5507
EditoraDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-2009-004
OpenAlexW2148262276
IdiomaEN
Citações recebidas2
Referências citadas8

Representational and nonrepresentational (abstract) artists exhibit different conceptual processes when they describe their work. Data from ekphrastic texts written by artists to accompany their artwork show that, although both kinds of painters refer metaphorically to their art using terms such as language, vocabulary, conversation, and narrative, the two use these words in different ways and with different meanings. For example, representational painters refer to "languages" that consist of the systems of represented objects, people, or landscapes that they depict, whereas nonrepresentational painters write about "languages" composed of sets of colors or shapes. Moreover, representational artists claim to engage in a "conversation" with the viewers of their works, whereas nonrepresentational artists prefer to "converse" with their materials or canvases. In general, representational painters use metaphorical terms such as language to describe their subject matter and their artwork's effect on potential viewers, whereas nonrepresentational painters use the same words to describe colors, shapes, and their own artistic process. Artists that combine representation and abstraction in the same artwork (here termed "partly representational" artists) use some of the metaphors preferred by the purely representational artists and some of the metaphors of the nonrepresentational artists, suggesting that the presence/absence of both representation and abstraction affect the metaphors that artists use to describe their work

Abstraction · Aesthetics · Art · Conversation · Converse · Epistemology · Linguistics · Literature · Narrative · Painting · Representation (politics · Semiotics · Subject (documents · Visual arts · Computer Science · Language, Metaphor, and Cognition · Multisensory perception and integration · Philosophy · Visual Culture and Art Theory

  • What Scene, What’s Seen, What’s in A… Word

    Open Access•Edyta Frelik•Discourses on Culture•2023

  • Russian culture (rather than grammatical gender) influences artistic personifications

    Open Access•Ahmed Abdel-Raheem, Tatiana M Permyakova et al.•International Journal of Language…•2025

  • Fictive interaction within the sentence

    Open Access•Esther Pascual•Cognitive Linguistics•2006

  • Psycholinguistic studies on the conceptual basis of idiomaticity

    Open Access•Raymond W Gibbs•Cognitive Linguistics•1990

  • Pictorial Models and Narrative Ekphrasis

    Tamar Yacobi•Poetics Today•1995

  • The Cognitive Study of Art, Language, and Literature

    Mark Turner•Poetics Today•2002

  • Universals of Narrative and Their Cognitivist Fortunes (I)

    Meir Sternberg•Poetics Today•2003

  • Criteria for Describing Word-and-Image Relations

    A Kibédi Vargas, A Kibédi Varga•Poetics Today•1989

  • Ekphrasis and Representation

    James A W Heffernan•New Literary History•1991

Obras citantes distintas2
Citações por ano0,67
Intervalo de citações2023 - 2025 (3)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 2
Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae