Middleground Structure in the Cadenza to Boulez's Éclat
Dados Bibliográficos
| ID | 4390311 |
|---|---|
| Autores | C Catherine Losada (University of Cincinnati), Catherine Losada (University of Cincinnati, autor correspondente) |
| Ano | 2019 |
| Volume | 25 |
| Fascículo | 1 |
| Data de publicação | 2019-05-01 |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Music Theory Online (JOURNAL) |
| Identificadores do periódico | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Editora | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.25.1.4 |
| OpenAlex | W2952627877 |
| Idioma | EN |
| Citações recebidas | 2 |
| Referências citadas | 29 |
Through a transformational analysis of Boulez's Éclat, this article extends previous understanding of Boulez's compositional techniques by addressing issues of middleground structure and perception. Presenting a new perspective on this pivotal work, it also sheds light on the development of Boulez's compositional style
Art · Linguistics · Literature · Visual arts · Diverse Music Education Insights · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy
| Citações por ano | 0,67 |
|---|---|
| Intervalo de citações | 2023 - 2024 (2) |
| Altamente citado | Não |