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Listening for Women's Narratives in the Harvard Project Archive

Dados Bibliográficos

ID4493993
AutoresSam Iti Prendergast (0000-0002-6183-4450, New York University, autor correspondente), Sam Prendergast (New York University)
Ano2018
Volume86
Páginas205-223
Data de publicação2018-10-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoHistory Workshop Journal (JOURNAL)
Identificadores do periódicoISSN: 1363-3554 • E-ISSN: 1477-4569
EditoraOxford University Press (PUBLISHER • GB)
DOI10.1093/hwj/dby026
OpenAlexW2883129998
IdiomaEN
Citações recebidas1
Referências citadas15

This article asks how to listen for meaning in women’s life stories when those stories are relayed to us by men. On 1 February 1951 Kent Geiger, a US graduate student, aged twenty-eight, sat down to interview ‘Olga Ivanova’, a forty-four-year-old Russian seamstress and displaced person who had left the USSR in 1943.1 Over two days, four sessions and eleven hours of interviewing, the pair spoke about Ivanova’s life under Stalin and her hopes for the future. The conversation was part of the Harvard Project on the Soviet Social System, a post Second-World-War interviewing project co-ordinated by Harvard University’s then Russian Research Centre.2 Between 1949 and 1951, with the aim of capturing a portrait of Soviet society, Harvard Project researchers carried out 329 extended life-history interviews and 435 shorter ‘special topic’ interviews with Soviet émigrés and refugees, most of whom were living in West Germany.3 In order to secure the anonymity of respondents like Ivanova, the interviews – which were conducted in Russian or Ukrainian – were never audio-recorded. Instead, interviewers took detailed notes throughout the conversations and later typed their notes into English-language transcripts.4 The only way to access Ivanova’s story is to read Geiger’s account of the interview.

Active listening · Art · Art history · Conversation · Émigré · Interview · Literature · Meaning (existential) · Media studies · Narrative · Oral history · Political science · Politics · Portrait · Refugee · Sociology · Ukrainian · Anthropology · Canadian Identity and History · Data Analysis and Archiving · Gender Studies · History · Law · Oral History, Memory, Narrative Analysis · Psychology

  • Waltz of the Oil Field

    Daryl Meador•Feminist Media Histories•2020

  • A shared authority

    Michael H Frisch•A shared authority•1990

  • ‘The thing that made me hesitate …’

    Open Access•Juliette Pattinson•Women s History Review•2011

  • Bodies of Evidence

    CAROL MARTIN•TDR/The Drama Review•2006

  • Culture and Composure

    Penny Summerfield•Cultural and Social History•2004

  • Interviewing men

    Open Access•Deborah Lee•Women s Studies International Forum•1997

  • Beginning Where We Are

    Kathryn Anderson, Susan Armitage et al.•The Oral History Review•1987

  • Reflecting on the Quantum Leap

    Sherna Berger Gluck•The Oral History Review•2014

  • Revisiting the Harvard Project on the Soviet Social System

    Sam Iti Prendergast, Sam Prendergast•The Oral History Review•2017

  • Women’s History and Oral History

    Joanna Bornat, Hanna Diamond•Women s History Review•2007

  • The Affective Power of Sound

    Open Access•Susan Mchugh, Siobhàn McHugh•The Oral History Review•2012

  • Women in the Modern World

    J Bernard, Mirra Komarovsky•American Sociological Review•1953

  • The Soviet Citizen

    N S Timasheff, Alex Inkele et al.•American Sociological Review•1960

  • The Peculiarities of Oral History

    Alessandro Portelli•History Workshop Journal•1981

  • The Family in Soviet Russia

    Olga Crisp, H Kent Geiger•Man•1969

  • Researching the researcher-as-instrument

    Open Access•Anne E Pezalla, Jonathan Pettigrew et al.•Qualitative Research•2012

Obras citantes distintas1
Citações por ano0,17
Intervalo de citações2020 - 2020 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
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