Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Performance, Democracy, and the Commune in the Black Sheep Revolution

Dados Bibliográficos

ID4500627
AutoresAngela Marino (autor correspondente)
Ano2024
Volume51
Fascículo6
Páginas185-203
Data de publicação2024-11-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoLatin American Perspectives (JOURNAL)
Identificadores do periódicoISSN: 0094-582X • E-ISSN: 1552-678X
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/0094582x241297904
OpenAlexW4405241792
IdiomaEN
Referências citadas10

This article analyzes cultural production in theaters across three pivotal historical moments from the 1980s to the present, including the theater as ruins, refuge, and resistance. It begins with the theater in ruins as depicted in the 1986 film, The Black Sheep, by the legendary playwright, director, and filmmaker, Román Chalbaud, in which a commune of artists, outcasts, and misfits squat in the theater, taking shelter from a storm of state-sponsored neoliberal austerity, corruption, and persecution in the pre-Chávez era of Venezuela. The article then turns to the work of community groups during Chávez-led revolutionary reforms to recuperate abandoned theaters as vital spaces for democratic assembly through municipal government programs. The last section of the article juxtaposes the advanced democratization of theaters and cultural production in Caracas during the Maduro era with a phase of violent street mobilizations in middle-class and wealthy sectors of the city (known as guarimbas), to raise questions about the role of the media as an intervening character in global theaters of illusion. Where the spotlight shifts in location from stages to streets, and the street to the screen, the actual conditions of democratized access are happening behind the unlit marquis, a global majority operating in an 'underground' commune in the same scenario as the film. Except in this case, the military-media arm of the US polices the 'streets' of the global media commons to malign the Bolivarian Revolution as a black sheep political project. The conclusion points to the media's role in promoting a dangerous misperception of reality by erasing the constituent power of a revolutionary society and the perpetuation of violence against them

Art · Art history · Austerity · Democracy · Economic history · Film director · Media studies · Movie theater · Political science · Politics · Sociology · Cultural and political discourse analysis · History · Latin American Literature Studies · Law · Political and Social Dynamics in Chile and Latin America

  • Barrio Rising

    Alejandro Velasco•Barrio Rising•2015

  • We Created Chavez

    Open Access•George Ciccariello-Maher, George Ciccariello‐maher•We Created Chávez•2013

  • Enactments of Power

    Ngũgĩ Wa Thiong’o, Ngugi Wa Thiong'O•TDR/The Drama Review•1997

  • Towards a typology of non-state actors in ‘hybrid warfare’

    Vladimir Rauta•Cambridge Review of International…•2019

  • As Clear as MUD

    Open Access•Barry Cannon•Latin American Politics and Society•2014

  • We Are the Ones We Have Been Waiting For

    Open Access•Sara C Motta•Latin American Perspectives•2013

  • Building the Commune

    George Ciccariello-Maher, George Ciccariello‐maher•South Atlantic Quarterly•2014

Velocidade de citaçãohistorical
Altamente citadoNão
Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae