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Leibniz on Diplomacy and Discernible Art

Dados Bibliográficos

ID4753373
AutoresWilliam M Hawley (1001 Del Sol Avenue, Unit B, Santa Barbara, CA 93109, USA, autor correspondente)
Ano2018
Volume23
Fascículo5
Páginas522-537
Data de publicação2018-07-04
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe European Legacy (JOURNAL)
Identificadores do periódicoISSN: 1084-8770 • E-ISSN: 1470-1316
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10848770.2018.1449395
OpenAlexW2791898423
IdiomaEN
Citações recebidas1
Referências citadas1

This article discusses Leibniz’s unique blend of aesthetics and diplomacy. While his art extended diplomacy beyond the bounds of political realism, his diplomacy gave occasion to his art. His identity of indiscernibles (objects with the same properties are identical) inspired philosopher Arthur Danto to define contemporary art in terms of a qualitative perceptual division between the world and the Artworld (objects with the same properties may or may not be art). Although Leibniz would have disputed Danto’s bifurcated artistic perspective, Danto vindicates Leibniz’s major contribution to contemporary aesthetic philosophy by defending his belief in the moral foundation of art. Leibniz was not only one of the pre-eminent men of German letters of his time, he also excelled in diplomacy on behalf of the Hanoverian court. His international relations (IR) theory of peace through grand global alliances is only just beginning to be understood, though his aesthetics and correct diplomacy continue to validate individual creativity, liberal freedoms, and universal enlightenment up to this very day

Aesthetics · Diplomacy · Enlightenment · Epistemology · German · Political philosophy · Political science · Politics · Realism · Historical Philosophy and Science · Karl Barth and Christian Theology · Law · Philosophy · Theology and Philosophy of Evil

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Obras citantes distintas1
Citações por ano0,5
Intervalo de citações2024 - 2024 (1)
Velocidade de citaçãorecent
Altamente citadoNão
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