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The Lion, the Native and the Coffee Plant

Political Imagery and the Ambiguous Art of Currency Design in Colonial Kenya

Dados Bibliográficos

ID4817871
AutoresW Mwangi (autor correspondente)
Ano2002
Volume7
Fascículo1
Páginas31-62
Data de publicação2002-06-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoGeopolitics (JOURNAL)
Identificadores do periódicoISSN: 1465-0045 • E-ISSN: 1557-3028
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/714000898
OpenAlexW2056904380
IdiomaEN
Citações recebidas34

This paper examines the politics associated with the changing design of currency notes issued by the British in colonial Kenya. It argues that the exigencies of currency design are drawn as much from the social self-imagination of dominant classes as from the pertinent technological imperatives and aesthetic trends. It begins by analysing the original design of East African Currency Board notes that was in place from the 1920s to the 1950s. The paper then explores the background of social turbulence in Kenya that was the context of the radical changes to the East African Currency Board's banknote design in the 1950s. It highlights how yet another design was put into circulation in the early 1960s in the context of decolonisation and the creation of the East African Community. Throughout the period, currency design evolved from insisting on white dominance, to an ambiguous suggestion of multi-racialism, to a doomed attempt at federalism and finally, to African independence

Archaeology · Colonialism · Context (archaeology · Currency · Decolonization · Devaluation · Dominance (genetics · Economics · Economy · Political economy · Political science · Politics · Sociology · African history and culture studies · History · Law

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Obras citantes distintas34
Citações por ano1,62
Intervalo de citações2005 - 2025 (21)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 34
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