Dancing Practices

Seeing and Sensing the Moving Body

Dados Bibliográficos

ID4952990
AutoresSusanne Ravn (0000-0001-6117-1741, University of Southern Denmark, autor correspondente)
Ano2017
Volume23
Fascículo2
Páginas57-82
Data de publicação2017-06-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoBody & Society (JOURNAL)
Identificadores do periódicoISSN: 1357-034X • E-ISSN: 1460-3632
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/1357034x16677738
OpenAlexW2543582070
IdiomaEN
Citações recebidas14
Referências citadas33

This article aims to explore the relation between body and space - specifically how the relation between the embodied awareness of movement and the sense of one's body-space can be modified and changed deliberately in different kinds of dance practices. Using a multi-sited design, the ethnographical fieldwork, which formed the empirical ground for the study, was from the outset focused on acknowledging the diversity of the dancers' practices. Each in their own way, the 13 professional dancers involved in the study relate to and experience bodied potentialities, body-space and the spatiality of movement differently. Through their practice, they indicate that the body image is shaped through a multisensorial process of reification, and that seeing is to be related to a broader perceptual engagement. Furthermore, they exemplify how seeing can be deliberately used to expand the sense of their body-space and thereby to affect the spatiality of the fields of their embodied interaction

Aesthetics · Art · Choreography · Dance · Diversity (politics · Embodied cognition · Epistemology · Ethnography · Perception · Political science · Reification (Marxism · Relation (database · Sociology · Visual arts · Anthropology · Computer Science · Diversity and Impact of Dance · Geographies of human-animal interactions · Philosophy · Physical education and sports games research · Psychology