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Guy Maddin'sCarefuland the Mountain Film

A Transnational Approach to German Film History

Dados Bibliográficos

ID4960100
AutoresKarolina Watroba (0000-0003-3462-5511, German Research Institute for Public Administration, autor correspondente)
Ano2022
Volume49
Fascículo2
Páginas133-160
Data de publicação2022-08-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoNew German Critique (JOURNAL)
Identificadores do periódicoISSN: 0094-033X • E-ISSN: 1558-1462
EditoraDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-9734847
OpenAlexW3149259091
IdiomaEN
Citações recebidas1
Referências citadas24

Guy Maddin is a contemporary Canadian director who has been often lauded for the national distinctiveness of his work. Maddin's Careful (1992), however, poses as an unrestored German Bergfilm (mountain film) from the early 1930s. This article offers a close reading of Careful and a critical dialogue with commentaries on both the mountain film and discussions of Maddin's oeuvre. Putting to use transnational perspectives, this analysis of a Canadian director's appropriation of a hallmark German genre problematizes previous constructions of national identity and national cinema as well as the periodization of film history

Aesthetics · Appropriation · Archaeology · Art · Art history · Close reading · Epistemology · German · German history · Literature · Movie theater · National cinema · National identity · Optimal distinctiveness theory · Periodization · Political science · Reading (process) · European history and politics · German Colonialism and Identity Studies · German History and Society · History · Law · Philosophy · Psychology

  • Where Next for New German Critique

    Mathura Umachandran•New German Critique•2023

  • Light Motives

    Ulrike Sieglohr•Screen•2004

  • Geschichte des deutschen Films

    Open Access•Wolfgang Jacobson, Kees Welten et al.•Geschichte des deutschen Films•1993

  • The Return of the Bergfilm

    Open Access•Caroline Schaumann•The German Quarterly•2014

  • German National Cinema

    Jaimey Fisher, Sabine Hake•German Studies Review•2003

  • Peripheral Visions

    Joan L Clinefelter, Joan Clinefelter et al.•German Studies Review•2002

  • One Hundred Years of Canadian Cinema

    Robert Armstrong•Canadian Journal of Communication•2005

  • Fatal Attractions

    Eric Rentschler•October•1989

  • Mountains and Modernity

    Eric Rentschler•New German Critique•1990

Obras citantes distintas1
Citações por ano0,33
Intervalo de citações2023 - 2023 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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