Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Tune in, fade out

Music companies and the classification of domestic music products in the Netherlands

Dados Bibliográficos

ID4969832
AutoresErik Hitters (0000-0002-9712-7440, Erasmus University Rotterdam, autor correspondente), Miriam Van De Kamp (Leiden University)
Ano2010
Volume38
Fascículo5
Páginas461-480
Data de publicação2010-10-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoPoetics (JOURNAL)
Identificadores do periódicoISSN: 0304-422X • E-ISSN: 1872-7514
EditoraElsevier BV (PUBLISHER)
DOI10.1016/j.poetic.2010.07.004
OpenAlexW2093787695
IdiomaEN
Citações recebidas22
Referências citadas21

Advertising · Aesthetics · Art · Business · Chart · Dance · Electronic dance music · Foreign language · Music education · Music industry · Popular music · Sociology · Visual arts · Computer Science · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Marketing

  • Bringing the banjo back to life

    Open Access•Niels van Poecke, Janna Michael•First Monday•2016

  • Cultural Industries

    Open Access•Mirva Peltoniemi•International Journal of…•2015

  • Parental socialization and the consumption of domestic films, books and music

    Open Access•Roza Meuleman, Marcel Lubbers et al.•Journal of Consumer Culture•2016

  • Making it big in live music

    Open Access•Rick Everts•Cultural Trends•2023

  • Articulations of Identity and Distinction

    Arno Van Der Hoeven, Susanne Janssen et al.•Popular Music & Society•2015

  • Talk of Heritage

    Timothy J Dowd, Trent Ryan et al.•Popular Music & Society•2015

  • Making the Discovery

    Open Access•Henrik Fürst•Symbolic Interaction•2018

  • ‘Wear Clogs and just Act Normal’

    Open Access•F Vandenberg, Michaël Berghman et al.•Cultural Sociology•2021

  • The popular music heritage of the Dutch pirates

    Open Access•Arno Van Der Hoeven•Media Culture & Society•2012

  • A Macro-Sociological Study into the Changes in the Popularity of Domestic, European, and American Pop Music in Western Countries

    H Bekhuis, Marcel Lubbers et al.•European Sociological Review•2014

  • Repertoire Communities in American Popular Music, 1900-1949

    Open Access•William G Roy•Sociological Perspectives•2022

  • Remembering the popular music of the 1990s

    Arno Van Der Hoeven•International Journal of Heritage…•2014

  • The social distinction in having domestic versus foreign favorite music artists

    Open Access•Roza Meuleman, Marcel Lubbers•Poetics•2014

  • The hidden tastemakers

    Friedman, Sam Friedman•Poetics•2014

  • Institutionalized erasures

    Open Access•Danny Kaplan•Poetics•2012

  • The ties that conform

    Open Access•Yun Tai•Poetics•2023

  • Un)conscious (popular) underground

    Matthew Oware•Poetics•2014

  • Greek hip hop

    Open Access•Athena Elafros•Poetics•2013

  • Categorical ambiguity in cultural fields

    Open Access•Alex Van Venrooij, Vaughn Schmutz•Poetics•2018

  • The Business of DIY. Characteristics, motives and ideologies of micro-independent record labels

    Robin Den Drijver, Erik Hitters•Cadernos de arte e antropologia•2017

  • Legitimating Local Music

    Open Access•Rian Koreman•Cultural Sociology•2014

  • A Field Analysis of Cosmopolitan Taste

    Open Access•Roza Meuleman, M Savage•Cultural Sociology•2013

  • Music Genres and Corporate Cultures

    K Negus•Music Genres and Corporate Cultures•2013

  • Case Study Research

    Jean Hartley•Essential Guide to Qualitative…•2004

  • The iron cage revisited institutional isomorphism and collective rationality in organizational fields

    P Dimaggio, Paul J Dimaggio et al.•Economics meets sociology in…•2004

  • The social construction of reality

    Peter L Luckmann Thomas A Berger, David Colacci et al.•The social construction of reality•1967

  • The Cambridge Companion to Pop and Rock

    Open Access•Simon Frith, Will Straw et al.•Cambridge companion to pop and rock•2001

  • The popular music industry

    Open Access•Frith, Simon Frith•Cambridge companion to pop and rock•2001

  • Local popular music on the national and international markets

    Paul Rutten•Cultural Studies•1991

  • Change and Continuity in Newspaper Coverage of Popular Music since 1955

    Vaughn Schmutz, Alex Van Venrooij et al.•Popular Music & Society•2010

  • Global Harmonies and Local Discords

    Open Access•K Negus•European Journal of Communication•1993

  • Concentration and Diversity Revisited

    Timothy J Dowd•Social Forces•2004

  • The British Dance Music Industry

    D Hesmondhalgh•British Journal of Sociology•1998

  • Innovation and Diversity in the Popular Music Industry, 1969 to 1990

    P Lopes, Paul D Lopes•American Sociological Review•1992

  • Classification in Art

    P Dimaggio•American Sociological Review•1987

  • The Iron Cage Revisited

    P Dimaggio, Paul J Dimaggio et al.•American Sociological Review•1983

  • Cycles in symbol production? A new model to explain concentration, diversity and innovation in the music industry

    Open Access•Michael Christianen•Popular Music•1995

  • Classification as Culture

    Open Access•Jennifer C Lena, R A Peterson•American Sociological Review•2008

  • So you want to be a Rock 'n' Roll star? Career success of pop musicians in the Netherlands

    Open Access•Koos Zwaan, Tom Ter Bogt et al.•Poetics•2009

  • Social Differentiation in Musical Taste Patterns

    Koen Van Eijck•Social Forces•2001

  • What Is Sociological about Music

    William G Roy, Timothy J Dowd•Annual Review of Sociology•2010

Obras citantes distintas22
Citações por ano1,57
Intervalo de citações2012 - 2023 (12)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 21
Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae