Schematic Deformation
Systematic Linearity in Grieg's 'Takk' and Other Lyric Pieces
Dados Bibliográficos
| ID | 4987652 |
|---|---|
| Autores | Bjørnar Utne‐reitan (0000-0002-9659-2500, autor correspondente) |
| Ano | 2021 |
| Volume | 40 |
| Fascículo | 2 |
| Páginas | 227-252 |
| Data de publicação | 2021-07-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Music Analysis (JOURNAL) |
| Identificadores do periódico | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Editora | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/musa.12165 |
| OpenAlex | W3164721020 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 19 |
This article presents an analysis of Grieg's lyric piece 'Takk' ('Gratitude'), focusing on the B section of the piece. In that section Grieg makes use of a harmonic progression that is difficult to explain vertically (i.e. in terms of functional harmony). However, it may be explained as a result of play with chromatic voice-leading patterns. The progression in question - which is saturated with half-diminished chords - shares several formal characteristics with the well-known omnibus progression. It is thus argued that 'Takk' features a deformation of this chromatic voice-leading schema. The progression in question (calledx) has the same sequential possibilities as the omnibus, which helps reveal an underlying logic in the complex structure of the piece's B section. Grieg's omnibus deformation in 'Takk' is an excellent example of how he chose to structure formal sections based on underlying systematic linearity. A comparison of 'Takk' with other lyric pieces sheds light on some regularities regarding systematic linearity in Grieg's music, for instance in the form of schematic deformation
Aesthetics · Art · Chromatic scale · Combinatorics · Deformation (meteorology · Gratitude · Harmony (color · Information retrieval · Linearity · Linguistics · Schema (genetic algorithms · Schematic · Visual arts · Computer Science · Engineering · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology · Social Psychology · Geology
Elements of Sonata Theory
Audacious EuphonyChromatic Harmony and the Triad's Second Nature
The Order of Things
Music in the Galant Style
Child Composers in the Old Conservatories
Studies on the Origin of Harmonic Tonality
Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
Half-Diminished Seventh Chords and Their Contexts
The Butterfly Schema in the Classical Instrumental Style
| Obras citantes distintas | 3 |
|---|---|
| Citações por ano | 0,75 |
| Intervalo de citações | 2022 - 2024 (3) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |