Integration of traditional Chinese music

An Evaluation of the Interactive Influence Between Traditional Music and Aesthetic Thought

Dados Bibliográficos

ID5162224
AutoresYi Zhou (0000-0001-6130-687X), Zhou Yi (0000-0003-3135-7574, Suqian University), Feng Yu (0000-0001-8646-1040, Jiangsu Normal University)
Ano2024
Volume47
Fascículo5
Data de publicação2024-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoTrans/Form/Ação (JOURNAL)
Identificadores do periódicoISSN: 0101-3173 • E-ISSN: 1980-539X
EditoraFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/0101-3173.2024.v47.n5.e02400180
OpenAlexW4399226818
SCIELO_PIDS0101-31732024000500222
IdiomaEN
Citações recebidas1
Referências citadas18

Traditional Chinese music had a long history, with rich and extensive aesthetic concepts. The integration of traditional music and aesthetic ideas has a significant impact on the formation of China's traditional music system. This article explored the interactive influence of traditional music and aesthetic ideas, and elaborated on the musical ideas in traditional Chinese aesthetics. The content of musical aesthetic ideas of Confucianism, Taoism and Mohism was discussed, and the position of aesthetic ideas in traditional Chinese music was analyzed. By combing and analyzing the relevant literature, ancient books and historical materials, it is possible to understand the historical evolution and mutual influence of traditional music and aesthetic thought. Traditional aesthetic concepts not only played an important role in the development of Chinese music, but also played an undeniable role in promoting the development of Chinese music over thousands of years of history. This article aimed to explore the interaction between traditional music and aesthetic ideas, as well as the impact of traditional aesthetics on music, in order to promote the integration and development of traditional music and aesthetic ideas. In the evaluation of the interaction between traditional music and aesthetic thought, there may be a situation that the concept is too simplified. The relationship between traditional music and aesthetic thought is very complicated, involving many schools, historical periods and regions. It may not be able to fully cover all the influencing factors if it is only summarized by Confucianism, Taoism and Buddhism. It is suggested that the education and inheritance of traditional music and aesthetic ideas should be strengthened in music education. More traditional music artists and aesthetic theorists should be cultivated, so that they can pass on traditional music and aesthetic ideas to future generations and continue to develop and innovate in contemporary society

Aesthetics · Art · Buddhism · History of music · Literature · Music education · Music history · Musical · Musical form · Popular music · Taoism · Visual arts · Diverse Music Education Insights · Diverse Musicological Studies · History · Music · Neuroscience and Music Perception