A Meadow that Lifts the Soul
Originality as Anthologizing in the Byzantine Church Interior
Dados Bibliográficos
| ID | 5306228 |
|---|---|
| Autores | Justin Willson (autor correspondente) |
| Ano | 2020 |
| Volume | 81 |
| Fascículo | 1 |
| Páginas | 1-21 |
| Data de publicação | 2020-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of the History of Ideas (JOURNAL) |
| Identificadores do periódico | ISSN: 0022-5037 • E-ISSN: 1086-3222 |
| Editora | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jhi.2020.0007 |
| PMID | 32009008 |
| OpenAlex | W3003466356 |
| Idioma | EN |
| Referências citadas | 11 |
Following Hans Blumenberg, this essay studies the genealogy of the idea of originality in a medieval metaphor characterizing the church interior as a "meadow" or λειμῶν (leimôn). Scholars focusing on this metaphor have neglected its use as a description of artistic process. Procopius of Caesarea, John of Damascus, and Leo VI, "the Wise." form the basis of this study, which argues that compiling anthologies (Lat. florilegia, lit. "gatherings of flowers") provided a preliminary description of invention. This metaphor, in turn, laid an initial groundwork for modern writers, including Montesquieu, who sought to theorize originality against the language of manual labor
Aesthetics · Art · Byzantine architecture · Epistemology · Linguistics · Literature · Metaphor · Originality · Sociology · Soul · Value (mathematics) · Ancient Mediterranean Archaeology and History · Anthropology · Byzantine Studies and History · Classical Antiquity Studies · Classics · Computer Science · History · Philosophy
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A Reexamination of the “Art Statute” in the Acts of Nicaea Ii
ΦAnta∑ia In Aristotle, De Anima 3. 3
The Emergence of the Classical Style in Greek Sculpture
To Understand Ultimate Things and Enter Secret Places’
Dictionnaire Des Philosophes Antiques 1-3
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |